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<cookbook type="general" class1="foodandnonfood" region="general"
 bookID="1876pcdg"><meta><dcTitle>Practical Cooking and Dinner Giving. A
Treatise Containing Practical Instructions in Cooking; in the Combination and
Serving of Dishes; and in the Fashionable Modes of Entertaining at Breakfast,
Lunch, and Dinner.</dcTitle><dcCreator>Henderson, Mary
Foote</dcCreator><dcSubject>Cookery,
American.</dcSubject><dcDescription>Setting the Table and Serving the Dinner.
The Dinner Party. Cooking as an Accomplishment. Breakfast. Lunch. Gentlemen's
Suppers. Evening Parties. Something about Economy. Directions and Explanations.
Cooking Utensils. Bread, and Breakfast Cakes. Tea. Coffee. Chocolate. Cocoa.
Soup. Fish. Shell-fish. Sauces. Beef. Veal. Sweet-breads. Mutton. Lamb. Pork.
Poultry. Geese, Ducks, and Game. Vegetables. Shells, or Coquilles. Potting.
Macaroni. Eggs. Salads. Fritters. Pastry. Canning. Preserves. Pickles and
Catchups. Cheese. Sweet Sauces for Puddings. Puddings and Custards. Bavarian
Creams. Desserts of Rice. Wine Jellies. Cake. Candies. Ices. Cookery for the
Sick. Some Dishes for "Baby". How to Serve Fruits. Beverages. Suitable
Combination of Dishes. Serving of Wines. To Prepare Company Dinners. English
and French Glossary. General Index.</dcDescription><dcPublisher>New York:
Harper &#38; Brothers</dcPublisher><dcContributor>Electronic edition created by
Digital &#38; Multimedia Center, Michigan State University Libraries, East
Lansing, Michigan, 2002-2003.</dcContributor><dcContributor>Supplementary
material by Jan Longone, Anne-Marie Rachman, Peter Berg, Yvonne Lockwood, and
Val
Berryman</dcContributor><dcDate>1876</dcDate><dcType>Text</dcType><dcFormat>xml-external-parsed-entity</dcFormat><dcFormat>gif</dcFormat><dcFormat>quicktime</dcFormat><dcIdentifier>http://digital.lib.msu.edu/cookbooks/practicalcooking/pcdg.xml</dcIdentifier><dcSource>OCLC
3728496</dcSource><dcLanguage>en</dcLanguage><dcRelation>Digitized as part of
"Feeding America: The Historic American Cookbook Project." Michigan State
University Libraries, East Lansing, Michigan, 2002-2003.
http://digital.lib.msu.edu/cookbooks/</dcRelation><dcCoverage>United
States</dcCoverage><dcCoverage>Nineteenth century</dcCoverage><dcRights>The
book digitized here was published in the United States before 1923 and is in
the public domain according to U.S. copyright law. The digital version and
supplementary materials are made available for all educational
uses.</dcRights></meta><front><div type="frontcover">
<pb n="front cover" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=1"/><illustration><description>An attractive
arrangement of food-filled platters, set on a table in front of a standard
place setting.</description></illustration></div><div type="other">
<pb n="blank" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=2"/></div><div type="other">
<pb n="NONE OF THE ABOVE" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=3"/><ednote>Handwritten
inscription</ednote>
<p>Respectfully presented to the best of Cooks.<lb/>Mrs. 
<unclear>Anna M. Standish</unclear><lb/>by her 
<unclear>friend</unclear><lb/>W.L.P.<lb/>May 1st 1878.</p></div><div
type="other"><pb n="blank" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=4"/><pb n="blank" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=5"/>
<pb n="blank" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=6"/><pb n="blank"
id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=7"/></div><div type="illustration">
<pb n="illustration" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=8"/><illustration><caption>Table set for
Serving from the Side.</caption><description>A diagram of a round table set for
six, with five dishes arranged in the
middle.</description></illustration></div><div type="illustration">
<pb n="illustration" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=9"/><illustration><caption>Table set for
Serving on the Table.</caption><description>A diagram of a round table set for
six, with five main dishes and four side dishes arranged in the middle of the
table. A large oval platter, some knives for carving, and a stack of plates are
placed in front of the place setting nearest the
bottom.</description></illustration></div><div type="other">
<pb n="blank" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=10"/></div><div type="titlepage">
<pb n="title page" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=11"/><doctitle align="center">PRACTICAL
COOKING<lb/>AND<lb/>DINNER GIVING.<lb/><lb/>A TREATISE CONTAINING<lb/>PRACTICAL
INSTRUCTION IN COOKING; IN THE COM-<lb/>BINATION AND SERVING OF DISHES;
AND<lb/>IN THE FASHIONABLE MODES OF EN-<lb/>TERTAINING AT BREAKFAST,<lb/>LUNCH,
AND DINNER.</doctitle><docauthor align="center">By MRS. MARY F.
HENDERSON.</docauthor>
<p align="center" rend="italic">ILLUSTRATED.</p><illustration><description>A
small oval-shaped seal, in the middle of which is an illustration of a hand
passing a torch to another hand.</description></illustration><docimprint
align="center">NEW YORK:<lb/>HARPER &#38; BROTHERS, PUBLISHERS,<lb/>FRANKLIN
SQUARE.<lb/>1877.</docimprint></div><div type="copyrightstmt">
<pb n="copyright statement" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=12"/>
<p align="center">Entered according to Act of Congress, in the year 1876,
by<lb/>HARPER &#38; BROTHERS,<lb/>In the Office of the Librarian of Congress,
at Washington.</p></div><div type="dedication">
<pb n="dedication" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=13"/>
<p align="center">TO MY FRIEND<lb/>MRS. ELLEN EWING SHERMAN,<lb/>A LADY WHO
STUDIES THE COMFORTS OF HER HOUSEHOLD,<lb/>THESE RECEIPTS ARE
AFFECTIONATELY<lb/><emph rend="ornate">Dedicated.</emph></p></div><div
type="other"><pb n="blank" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=14"/></div><div type="preface">
<pb n="preface" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=15"/><hd align="center" rend="bold">PREFACE.</hd>
<p>THE aim of this book is to indicate how to serve dishes, and to entertain
company at breakfast, lunch, and dinner, as well as to give cooking receipts.
Too many receipts are avoided, although quite enough are furnished for any
practical cook-book. There are generally only two or three really good modes of
cooking a material, and one becomes bewildered and discouraged in trying to
select and practice from books which contain often from a thousand to three
thousand receipts.</p>
<p>No claim is laid to originality. "Receipts which have not stood the test of
time and experience are of but little worth." The author has willingly availed
herself of the labors of others, and, having carefully compared existing
works--adding here and subtracting there, as experience dictated--and having
also pursued courses of study with cooking teachers in America and in Europe,
she hopes that she has produced a simple and practical book, which will enable
a family to live well and in good style, and, at the same time, with reasonable
economy.</p>
<p>The absence from previous publications of reliable
<pb n="preface" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=16"/> information as to the manner of serving
meals has been noticed. Fortunately, the fashionable mode is one calculated to
give the least anxiety and trouble to a hostess.</p>
<p>Care has been taken to show how it is possible with moderate means to keep a
hospitable table, leaving each reader for herself to consider the manifold
advantages of making home, so far as good living is concerned, comfortable and
happy.</p>
<p align="right">M. F. H.</p>
<p size="smaller">ST. LOUIS, 1876.</p></div><div type="contents">
<pb n="table of contents" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=17"/><hd align="center"
size="larger">CONTENTS.</hd><list><item align="right">PAGE</item><item>SETTING
THE TABLE AND SERVING THE DINNER..........................<ref
target="pcdg019.gif">13</ref></item><item>THE DINNER
PARTY..................................................<ref
target="pcdg033.gif">27</ref></item><item>COOKING AS AN
ACCOMPLISHMENT......................................<ref
target="pcdg036.gif">30</ref></item><item>BREAKFAST.........................................................<ref
target="pcdg039.gif">33</ref></item><item>LUNCH.............................................................<ref
target="pcdg042.gif">36</ref></item><item>GENTLEMEN'S
SUPPERS...............................................<ref
target="pcdg045.gif">39</ref></item><item>EVENING
PARTIES...................................................<ref
target="pcdg046.gif">40</ref></item><item>SOMETHING ABOUT
ECONOMY...........................................<ref
target="pcdg046.gif">40</ref></item><item>DIRECTIONS AND
EXPLANATIONS.......................................<ref
target="pcdg049.gif">43</ref></item><item>COOKING
UTEXSILS..................................................<ref
target="pcdg057.gif">51</ref></item><item>BREAD, AND BREAKFAST
CAKES........................................<ref
target="pcdg069.gif">63</ref></item><item>TEA...............................................................<ref
target="pcdg082.gif">76</ref></item><item>COFFEE............................................................<ref
target="pcdg082.gif">76</ref></item><item>CHOCOLATE.........................................................<ref
target="pcdg084.gif">78</ref></item><item>COCOA.............................................................<ref
target="pcdg084.gif">78</ref></item><item>SOUP..............................................................<ref
target="pcdg084.gif">78</ref></item><item>FISH..............................................................<ref
target="pcdg105.gif">99</ref></item><item>SHELL-FISH.......................................................<ref
target="pcdg119.gif">113</ref></item><item>SAUCES...........................................................<ref
target="pcdg125.gif">119</ref></item><item>BEEF.............................................................<ref
target="pcdg135.gif">129</ref></item><item>VEAL.............................................................<ref
target="pcdg152.gif">146</ref></item><item>SWEET-BREADS.....................................................<ref
target="pcdg158.gif">152</ref></item><item>MUTTON...........................................................<ref
target="pcdg161.gif">155</ref></item><item>LAMB.............................................................<ref
target="pcdg165.gif">159</ref></item><item>PORK.............................................................<ref
target="pcdg166.gif">160</ref></item><item>POULTRY..........................................................<ref
target="pcdg172.gif">166</ref></item><item>GEESE, DUCKS, AND
GAME...........................................<ref
target="pcdg186.gif">180</ref></item><item>VEGETABLES.......................................................<ref
target="pcdg196.gif">190</ref></item><item>SHELLS, OR
COQUILLS..............................................<ref
target="pcdg212.gif">206</ref></item><item>POTTING..........................................................<ref
target="pcdg214.gif">208</ref></item><item>MACARONI.........................................................<ref
target="pcdg215.gif">209</ref></item><item>EGGS.............................................................<ref
target="pcdg218.gif">212</ref></item><item>SALADS...........................................................<ref
target="pcdg225.gif">219</ref></item>
<pb n="table of contents" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=18"/><item
align="right">PAGE</item><item>FRITTERS.........................................................<ref
target="pcdg235.gif">229</ref></item><item>PASTRY...........................................................<ref
target="pcdg238.gif">232</ref></item><item>CANNING..........................................................<ref
target="pcdg250.gif">244</ref></item><item>PRESERVES........................................................<ref
target="pcdg254.gif">248</ref></item><item>PICKLES AND
CATCHUPS.............................................<ref
target="pcdg263.gif">257</ref></item><item>CHEESE...........................................................<ref
target="pcdg268.gif">262</ref></item><item>SWEET SAUCES FOR
PUDDINGS........................................<ref
target="pcdg272.gif">266</ref></item><item>PUDDINGS AND
CUSTARDS............................................<ref
target="pcdg275.gif">269</ref></item><item>BAVARIAN
CREAMS..................................................<ref
target="pcdg288.gif">282</ref></item><item>DESSERTS OF
RICE.................................................<ref
target="pcdg292.gif">286</ref></item><item>WINE
JELLIES.....................................................<ref
target="pcdg296.gif">290</ref></item><item>CAKE.............................................................<ref
target="pcdg300.gif">294</ref></item><item>CANDIES..........................................................<ref
target="pcdg311.gif">305</ref></item><item>ICES.............................................................<ref
target="pcdg312.gif">306</ref></item><item>COOKERY FOR THE
SICK.............................................<ref
target="pcdg321.gif">315</ref></item><item>SOME DISHES FOR
"BABY"...........................................<ref
target="pcdg340.gif">334</ref></item><item>HOW TO SERVE
FRUITS..............................................<ref
target="pcdg342.gif">336</ref></item><item>BEVERAGES........................................................<ref
target="pcdg345.gif">339</ref></item><item>SUITABLE COMBINATION OF
DISHES...................................<ref
target="pcdg348.gif">342</ref></item><item>SERVING OF
WINES.................................................<ref
target="pcdg351.gif">345</ref></item><item>TO PREPARE COMPANY
DINNERS.......................................<ref
target="pcdg355.gif">349</ref></item><lb/><item>ENGLISH AND FRENCH
GLOSSARY......................................<ref
target="pcdg365.gif">359</ref></item><lb/><item>GENERAL
INDEX....................................................<ref
target="pcdg371.gif">365</ref></item></list></div></front><body>
<pb n="NONE OF THE ABOVE" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=19"/><hd align="center">PRACTICAL
COOKING,<lb/>AND<lb/>DINNER GIVING.</hd><chapter class1="etiquette"><hd
align="center">SETTING THE TABLE AND SERVING THE DINNER.</hd>
<p>AN animated controversy for a long time existed as to the best mode of
serving a dinner. Two distinct and clearly defined styles, known as the English
and Russian, each having its advantages and disadvantages, were the subject of
contention. It is perhaps fortunate that a compromise between them has been so
generally adopted by the fashionable classes in England, France, and America as
to constitute a new style, which supersedes, in a measure, the other two.</p>
<p>In serving a dinner 
<emph rend="italic">&#225; la Russe,</emph> the table is decorated by placing
the dessert in a tasteful manner around a centre-piece of flowers. This
furnishes a happy mode of gratifying other senses than that of taste; for while
the appetite is being satisfied, the flowers exhale their fragrance, and give
to the eye what never fails to please the refined and cultivated guest.</p>
<p>In this style the dishes are brought to the table already carved, and ready
for serving, thus depriving the cook of the power to display his decorative
art, and the host of his skill in carving. Each dish is served as a separate
course, only one vegetable being allowed for a course, unless used merely for
the purpose of garnishing.</p>
<p>The English mode is to set the whole of each course, often containing many
dishes, at once upon the table. Such dishes<pb n="14" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=20"/> as
require carving, after having been once placed on the dinner-table, are removed
to a side-table, and there carved by an expert servant. Serving several dishes
at one time, of course, impairs the quality of many, on account of the
impossibility of keeping them hot. This might, in fact, render some dishes
quite worthless.</p>
<p>And now, before giving the details of serving a dinner on the newer
compromise plan, I will describe the "setting" or arranging of the table, which
may be advantageously adopted, whatever the mode of serving.</p>
<p>In the first place, a round table five feet in diameter is the best
calculated to show off a dinner. If of this size, it may be decorated to great
advantage, and conveniently used for six or eight persons, without
enlargement.</p>
<p>Put a thick <implement>baize</implement> under the table-cloth. This is
quite indispensable. It prevents noise, and the finest and handsomest
table-linen looks comparatively thin and sleazy on a bare table.</p>
<p>Do not put starch in the napkins, as it renders them stiff and disagreeable,
and only a very little in the table-cloth. They should be thick enough, and, at
the same time, of fine enough texture, to have firmness without starch. Too
much can not be said as to the pleasant effect of a dinner, when the
table-linen is of spotless purity, and the dishes and silver are perfectly
bright.</p>
<p>Although many ornaments may be used in decorating the table, yet nothing is
so pretty and so indicative of a refined taste as flowers. If you have no 
<implement rend="italic">&#233;pergne</implement> for them, use a 
<implement rend="italic">compotier</implement> or raised dish, with a plate
upon the top, to hold cut flowers; or place flower-pots with blossoming plants
on the table. A net-work of wire, painted green, or of wood or crochet work,
may be used to conceal the roughness of the flower-pot. A still prettier
arrangement is to set the pot in a 
<emph rend="italic">jardini&#232;re</emph> vase.</p>
<p>At a dinner party, place a little bouquet by the side of the plate of each
lady, in a small glass or silver <implement>bouquet-holder.</implement> At the
gentlemen's plates put a little bunch of three or four flowers, called a 
<emph rend="italic">boutonnt&#232;re;</emph> in the folds of the napkin. As
<pb n="15" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=21"/> soon as the gentlemen are seated at table, they
may attach them to the left lapel of the coat.</p>
<p>Place the dessert in two or four fancy 
<implement>dessert-dishes</implement>around the centre-piece, which,
by-the-way, should not be high enough to obstruct the view of persons sitting
at opposite sides of the table. The dessert will consist of fruits, fresh or
candied, preserved ginger, or preserves of any kind, fancy cakes, candies,
nuts, raisins, etc.</p>
<p>Put as many knives, forks, and spoons by the side of the plate of each
person as will be necessary to use in all the different courses. Place the
knives and spoons on the right side, and the forks on the left side, of the
plates. This saves the trouble of replacing a knife and fork or spoon as each
course is brought on. Many prefer the latter arrangement, as they object to the
appearance of so many knives, etc., by the sides of a plate. This is, of
course, a matter of taste. I concede the preferable appearance of the latter
plan, but confess a great liking for any arrangement which saves extra work and
confusion.</p>
<p>Place the napkin, neatly folded, on the plate, with a piece of bread an inch
thick, and three inches long, or a small cold bread roll, in the folds or on
the top of the napkin.</p>
<p>Put a glass for water, and as many wine-glasses as are necessary at each
plate. Fill the water-glass just before the dinner is announced, unless
caraffes are used. These are kept on the table all the time, well filled with
water, one caraffe being sufficient for two or three persons. All the wine
intended to be served decanted should be placed on the table, conveniently
arranged at different points.</p>
<p>At opposite sides of the table place <implement>salt and pepper
stands,</implement> together with the different fancy spoons, crossed by their
side, which may be necessary at private dinners, for serving dishes.</p>
<p>Select as many plates as will be necessary for all the different courses.
Those intended for cold dishes, such as salad, dessert, etc., place on the
sideboard, or at any convenient place. Have those plates intended for dessert
already prepared, with a <implement>finger-bowl</implement> on each plate. The 
<implement>finger-glasses</implement> should be half filled with water, with a
slice of lemon in each, or a geranium<pb n="16" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=22"/> leaf and one
flower, or a little 
<emph rend="italic">boutonni&#232;re:</emph> a sprig of lemon-verbena is
pretty, and leaves a pleasant odor on the fingers after pressing it in the
bowl. In Paris, the water is generally warm, and scented with peppermint.</p>
<p>Some place folded <implement>fruit-napkins</implement> under each 
<implement>finger-bowl;</implement> others have little fancy net-work mats,
made of thread or crochet cotton, which are intended to protect handsome
painted <implement>dessert-plates</implement> from scratches which the 
<implement>finger-bowls</implement> might possibly make.</p>
<p>The warm dishes--not 
<emph rend="italic">hot</emph> dishes--keep in a tin closet or on the top shelf
of the range until the moment of serving. A plate of bread should also be on
the sideboard.</p>
<p>Place the <implement>soup-tureen</implement> (with soup that has been
brought to the boiling-point just before serving) and the 
<implement>soup-plates</implement> before the seat of the hostess.</p>
<p>Dinner being now ready, it should be announced by the butler or dinning-room
maid. Never ring a bell for a meal. Bells do very well for country inns and
steamboats, but in private houses the 
<emph rend="italic">m&#233;nage</emph> should be conducted with as little
noise as possible.</p>
<p>With these preliminaries, one can see that it requires very little trouble
to serve the dinner. There should be no confusion or anxiety about it. It is a
simple routine. Each dish is served as a separate course. The butler first
places the pile of plates necessary for the course before the host or hostess.
He next sets the dish to be served before the host or hostess, just beyond the
pile of plates. The soup, salad, and dessert should be placed invariably before
the hostess, and every other dish before the host. As each plate is ready, the
host puts it upon the small <implement>salver</implement> held by the butler,
who then with his own hand places this and the other plates in a similar manner
on the table before each of the guests. If a second dish is served in the
course, the butler, putting in it a spoon, presents it on the left side of each
person, allowing him to help himself. As soon as any one has finished with his
plate, the butler should remove it immediately, without waiting for others to
finish. This would take too much time. When all the plates are removed, the
butler should bring on the next course. It is not necessary to use
<pb n="17" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=23"/> the <implement>crumb-scraper</implement> to clean
the cloth until just before the dessert is served. He should proceed in the
same manner to distribute and take off the plates until the dessert is served,
when he can leave the room.</p>
<p>This is little enough every-day ceremony for families of the most moderate
pretensions, and it is also enough for the finest dinner party, with the simple
addition of more waiters, and distribution of the work among them. It is well
that this simple ceremony should be daily observed, for many reasons. The
dishes themselves taste better; moreover, the cook takes more pride, and is
more particular to have his articles well cooked, and to present a better
appearance, when each dish is in the way subjected to a special regard: and is
it not always preferable to have a few well-cooked dishes to many indifferently
and carelessly prepared? At the same time, each dish is in its perfection, hot
from the fire, and ready to be eaten at once; then, again, one has the benefit
of the full flavor of the dish, without mingling it with that of a multiplicity
of others. There is really very little extra work in being absolutely
methodical in every-day living. With his habit, there ceases to be any anxiety
in entertaining. There is nothing more distressing at a dinner company than to
see a hostess ill at ease, or to detect an interchange of nervous glances
between her and the servants. A host and hostess seem insensibly to control the
feelings of all the guests, it matters not how many there may be. In
well-appointed houses, a word is not spoken at the dinner between the hostess
and attendants. What necessity, when the servants are in the daily practice of
their duties?</p>
<p>If one has nothing for dinner but soup, hash, and lettuce, put them on the
table in style: serve them in three courses, and one will imagine it a much
better dinner than if carelessly served.</p>
<p>Let it be remembered that the above is the rule prescribed for every-day
living. With large dinner parties, the plan might be changed, in one respect, 
<emph rend="italic">i.e.,</emph> in having the dishes, in courses, put on the
table for exhibition, and then taken off, to be carved quickly and delicately
at a side-table by an experienced butler. This gives the host time to entertain
his guests at his ease, instead<pb n="18" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=24"/> of being absorbed
in the fatiguing occupation of carving for twelve or fourteen people.</p>
<p>These rules in France constitute an invariable and daily custom for private
dinners, as well as for those of greater pretensions. Every thing is served
there also as a separate course, even each vegetable, unless used as a garnish.
In America and England this plan is not generally liked, although in both these
countries it is adopted by many. Americans like, at least, one vegetable with
each substantial, a taste, it is to be hoped, that will not be changed by the
dictates of fashion. Then, if dishes are to be carved at a side-table, the
one-vegetable plan causes the placing of the principal dish on the table before
carving to appear more sensible.</p>
<p>When the butler places a dish on the table, and tarries a moment or so for
every one to look at it, if it does not happen to be so very attractive in
appearance the performance seems very absurd; but when, after putting on the
substantial dish, he places a vegetable dish at the other end of the table, his
taking the substantial to carve seems a more rational proceeding.</p>
<p>I would suggest, when there is only one dish for a course, which it to be
taken off the table to be carved, that the dish should be put on first; then,
that the butler should return for the plates, instead of placing the plates on
first, as should be done in all other cases.</p>
<p>At small dinners, I would not have the butler to be carver. It is a graceful
and useful accomplishment for a gentleman to know how to carve well. At small
dinners, where the dishes can not be large, the attendant labor must be light;
and, in this case, does it not seem more hospitable and home-like for the
gentleman to carve himself? Does it not disarm restraint, and mark the only
difference there is between home and hotel dinners?</p>
<p>In "Gastronomie," M. M. believes in a compromise on the carving question. He
say, "There were professional carvers, and this important art was anciently
performed at the sound of music, and with appropriate gesticulations. We wish
our modern gourmands would follow the very good example of Trimalchio
<pb n="19" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=25"/> in this respect, and, if they must have their
viands carved on the sideboard by servants, take care that, like his carvers,
they are trained to his art. We shall take the opportunity of entering our
protest against an innovation which is going too far. That some of the more
bulky pieces, the 
<emph rend="italic">pi&#232;ces de r&#233;sistance,</emph> should be placed
on the sideboard, well and good, though even to this Addison objected, and not
without reason; but that the fish and the game should be both bestowed and
distributed, like rations to paupers, by attendants, who, for the most part,
can not distinguish between the head and the tail of a mullet, the flesh and
fin of a turbot, etc., is enough to disturb the digestion of the most tolerant
gastronome. We must say that we like to see our dinner, especially the fish,
and to see every part of it, in good hands."</p>
<p>Then, again, without paying a high price, one can not secure a waiter who is
a good carver. I am almost inclined to say one must possess the luxury of a
French waiter for carving at the side-table. English waiters are good. The
Irish are generally too awkward. Negroes are too slow. The French are both
graceful and expeditious.</p>
<p>Well, what can be done, then, when one has a dinner party, with no expert
carver, and the dishes are too large for the host to attempt? I would advise in
this case that the dinner should be served from the side. A very great majority
of large and even small dinners are served in this manner.</p>
<p>The table, as usual, is decorated with flowers, fruits, etc., but the
dishes(<emph rend="italic">plats</emph>) are not placed upon it; consequently
the host has no more duty to perform in the serving of the dinner than the
guest. A plate is placed on the table before each person, then the dish,
prettily decorated or neatly carved, if necessary, is presented to the left
side, so that each person may help himself from the dish. When these plates are
taken off, they are replaced by clean ones, and the dish of the next course is
presented in like manner. Many prefer to serve every course from the side, as I
have just indicated; others make an exception of the dessert, which the hostess
may consider a pretty acquisition to the table, while the dish should not be an
awkward one to serve.</p><pb n="20" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=26"/>
<p>Some proper person should be stationed in the kitchen or butler's pantry to
carve and to see that the dishes are properly decorated. If the hostess should
apprehend unskillfulness in carving, the dinner might be composed of chops,
ribs, birds, etc., which require no cutting.</p>
<p>There are several hints about serving the table, which I will now specify
separately, in order to give them the prominence they deserve.</p>
<p>1st. The waiters should be expeditious without seeming to be in a hurry. A
dragging dinner is most tiresome. In France, the dishes and plates seem to be
changed almost by magic. An American senator told me that at a dinner at the
Tuileries, at which he was present, twenty-five courses were served in an hour
and a half. The whole entertainment, with the after-dinner coffee, etc., lasted
three hours. Upon this occasion, a broken dish was never presented to the view
of a guest. One waiter would present a dish, beautifully garnished or
decorated; and if the guest signified assent, a plate with some of the same
kind of food was served him immediately from the broken dish at the
side-table.</p>
<p>Much complaint has been made by persons accustomed to dinners abroad of the
tediousness of those given in Washington and New York, lasting, as they often
do, from three to five hours. It is an absolute affliction to be obliged to sit
for so long a time at table.</p>
<p>2d. Never overload a plate nor oversupply a table. It is a vulgar
hospitality. At a small dinner, no one should hesitate to ask for more, if he
desires it; it would only be considered a flattering tribute to the dish.</p>
<p>At large companies, where there is necessarily a greater variety of dishes,
the most voracious appetite must be satisfied with a little of each. Then, do
not supply more than is absolutely needed; it is a foolish and unfashionable
waste. "Hospitality is not to be measured by the square inch and calculated by
cubic feet of beef or mutton."</p>
<p>At a fashionable dinner party, if there are twelve or fourteen guests, there
should be twelve or fourteen birds, etc., served on the table--one for each
person. If uninvited persons should<pb n="21" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=27"/> call, the
servant could mention at the door that madam has company at dinner. A sensible
person would immediately understand that the general machinery would be upset
by making an appearance. At small or private dinners, it would be, of course,
quite a different thing.</p>
<p>The French understand better than the people of any other nation how to
supply a table. "Their small family dinners are simply gems of perfection.
There is plenty for every person, yet every morsel is eaten. The flowers or
plants are fresh and odoriferous; the linen is a marvel of whiteness; the
dishes are few, but perfect of their kind."</p>
<p>When you invite a person to a family dinner, do not attempt too much. It is
really more elegant to have the dinner appear as if it were an every-day affair
than to impress the guest, by an ostentatious variety, that it is quite an
especial event to ask a friend to dinner. Many Americans are deterred from
entertaining, because they think they can not have company without a vulgar
abundance, which is, of course, as expensive and troublesome as it is coarse
and unrefined.</p>
<p>For reasonable and sensible people, there is no dinner more satisfactory
than one consisting first of a soup, then a fish, garnished with boiled
potatoes, followed by a roast, also garnished with one vegetable; perhaps an 
<emph rend="italic">entr&#233;e,</emph> always a salad, some cheese, and a
dessert. This, well cooked and neatly and quietly served, is a stylish and good
enough dinner for any one, and is within the power of a gentleman or lady of
moderate means to give. "It is the exquisite quality of a dinner or a wine that
pleases us, not the multiplicity of dishes or vintages."</p>
<p>3d. Never attempt a new dish with company--one that you are not entirely
sure of having cooked in the very best manner.</p>
<p>4th. Care must be taken about selecting a company for a dinner party, for
upon this depends the success of the entertainment. Always put the question to
yourself, when making up a dinner party, Why do I ask him or her? And unless
the answer be satisfactory, leave him or her out. Invite them on some other
occasion. If they are not sensible, social, unaffected, and clever people, they
will not only not contribute to the agreeability of the dinner, but will
positively be a serious impediment<pb n="22" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=28"/> to
conversational inspiration and the general feeling of ease. Consequently, one
may consider it a compliment to be invited to a dinner party.</p>
<p>5th. Have the distribution of seats at table so managed, using some tact in
the arrangement, that there need be no confusion, when the guests enter the
dining-room, about their being seated. If the guest of honor be a lady, place
her at the right of the host; if a gentleman, at the right of the hostess.</p>
<p>If the dinner company be so large that the hostess can not easily place her
guests without confusion, have a little card on each plate bearing the name of
the person who is to occupy the place. Plain cards are well enough; but the
French design (they are designed in this country also) beautiful cards for the
purpose, illustrated with varieties of devices: some are rollicking cherubs
with capricious antics, who present different tempting viands; autumn leaves
and delicate flowers in chromo form pretty surroundings for the names on
others; yet the designs are so various on these and the bill-of-fare cards that
each hostess may seek to find new ones, while frequent dinner-goers may have
interesting collections of these mementoes, which may serve to recall the
occasions in after-years.</p>
<p>6th. If the dinner is intended to be particularly fine, have bills of fare,
one for each person, written on little sheets of paper smoothly cut in half, or
on French bill-of-fare cards, which come for the purpose. If expense is no
object, and you entertain enough to justify it, have cards for your own use
especially engraved. Have your crest, or perhaps a monogram, at the top of the
card, and forms for different courses following, so headed that you have only
to fill out the space with the special dishes for the occasion. I will give the
example of a form. The forms are often seen on the dinner-cards; yet, perhaps,
they are as often omitted, when the bills of fare are written, like those given
at the end of the book.</p>
<p>Bills of fare are generally written in French. It is a pity that our own
rich language is inadequate to the duties of a fashionable bill of fare,
especially when, perhaps, all the guests do not understand the Gallic tongue,
and the bill of fare(<emph rend="italic">menu</emph>) for their accommodation
might as well be written in<pb n="23" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=29"/> Choctaw. I will
arrange a table with French names of dishes for the aid of those preferring the
French bills of fare. I would say that some tact might be displayed in choosing
which language to employ.</p><illustration><description>An illustration of a
menu printed with the following text (in list format): MENU. Diner du 15
F&#233;vrior. Potages. Poissons. Hors-d'&#230;uvres. Relev&#233;s.
Entr&#233;es. R&#244;tis. Entrem&#234;ts. Glaces.
Dessert.</description></illustration>
<p>If you are entertaining a ceremonious company, with tastes for the
frivolities of the world, or, perhaps, foreign embassadors, use unhesitatingly
the French bills of fare; but practical uncles and substantial persons of
learning and wit, who, perhaps, do not appreciate the merits of languages which
they do not understand, might consider you demented to place one of these
effusions before them. I would advise the English bills of fare on these
occasions.</p>
<p>7th. The attendants at table should make no noise. They should wear slippers
or light boots. "Nothing so distinguishes the style of perfectly appointed
houses from vulgar imitations as the quiet, self-possessed movements of the
attendants." No word should be spoken among them during dinner, nor should they
even seem to notice the conversation of the company at table.</p>
<p>8th. The waiter should wear a dress-coat, white vest, black trousers, and
white necktie; the waiting-maid, a neat black alpaca or a clean calico dress,
with a white apron.</p>
<p>9th. Although I would advise these rules to be generally followed, 
<pb n="24" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=30"/> yet it is as pleasant a change to see an
individuality of a characteristic taste displayed in the setting of the table
and the choice of dishes as in the appointments of our houses or in matters of
toilet. At different seasons the table might be changed to wear a more
appropriate garb. It may be solid, rich, and showy, or simple, light, and
fresh.</p>
<p>10th. Aim to have a variety or change in dishes. It is as necessary to the
stomach and to the enjoyment of the table as is change of scene for the mind.
Even large and expensive state dinners become very monotonous when one finds
everywhere the same choice of dishes. Mr. Walker, in his "Original," says: "To
order dinner is a matter of invention and combination. It involves novelty,
simplicity, and taste; whereas, in the generality of dinners, there is no
character but that of routine, according to the season."</p>
<p>11th. Although many fashionable dinners are of from three or four hours'
duration, I think every minute over two hours is a "stately durance vile."
After that time, one can have no appetite; conversation must be forced. It is
preferable to have the dinner a short one than a minute too long. If one rises
from a fine dinner wearied and satiated, the memory of the whole occasion must
be tinged with this last impression.</p>
<p>12th. There is a variety of opinions as to who should be first served at
table. Many of the 
<emph rend="italic">haut monde</emph> insist that the hostess should be first
attended to. Once, when visiting a family with an elegant establishment, who,
with cultivated tastes and years of traveling experience, prided themselves on
their 
<emph rend="italic">savoir faire,</emph> one of the members said, "Yes, if
Queen Victoria were our guest, our sister, who presides at table, should always
be served first." The custom originated in ancient times, when the hospitable
fashion of poisoning was in vogue. Then the guests preferred to see the hostess
partake of each dish before venturing themselves. Poisoning is not now the
order of the day, beyond what is accomplished by rich pastry and plum puddings.
If there be but one attendant, the lady guest sitting at the right of the host
or the oldest lady should be first served. There are certain natural instincts
of propriety which fashion or custom can not regulate. As soon as the second
<pb n="25" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=31"/> person is helped, there should be no further
waiting before eating.</p>
<p>13th. Have chairs of equal height at table. Perhaps every one may know by
experience the trial to his good humor in finding himself perched above or sunk
below the general level.</p>
<p>14th. The selection of china for the table offers an elegant field in which
to display one's taste. The most economical choice for durability is this: put
your extra money in a handsome dessert set, all (except the plates) of which
are displayed on the table all the time during dinner; then select the
remainder of the service in plain white, or white and gilt, china. When any
dish is broken, it can be easily matched and replaced.</p>
<p>A set of china decorated in color to match the color of the dining-room is
exceedingly tasteful. This choice is not an economical one, as it is necessary
to replace broken pieces by having new ones manufactured--an expense quite
equal to the extra trouble required to imitate a dish made in another
country.</p>
<p>By far the most elegant arrangement consists in having different sets of
plates, each set of a different pattern, for every course. Here is an unlimited
field for exquisite taste. Let the meat and <implement>vegetable
dishes</implement> be of plated silver. Let the <implement
rend="italic">&#233;pergne</implement> or centre-peice (holding flowers or
fruit) be of silver, or perhaps it might be preferred of majolica, of bisque,
or of glass. The <implement>majolica ware</implement> is very fashionable now,
and dessert, oyster, and salad sets of it are exceedingly pretty. A set of
majolica plates, imitating pink shells, with a large pink-shell platter, is
very pretty, and appropriate for almost any course. 
<implement>Oyster-plates</implement> in French ware imitate five oyster-shells,
with a miniature cup in the centre for holding the lemon. There are other
patterns of <implement>oyster-plates</implement> in majolica of the most
gorgeous colors, where each rim is concaved in six shells to hold as many
oysters. The harlequin dessert sets are interesting, where every plate is not
only different in design and color, but is a specimen of different kinds of
ware as well. In these sets the Dresden, French, and painted plates of any ware
that suits the fancy are combined.</p>
<p>A set of plates for a course at dinner is unique in the Chinese
<pb n="26" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=32"/> or Japanese patterns. Dessert sets of Bohemian
glass or of cut-glass are a novelty; however, the painted sets seem more
appropriate for the dessert (fruit, etc.), white glass sets are tasteful for
jellies, cold puddings, etc., or what are called the cold 
<emph rend="italic">entrem&#234;ts</emph> served just before the dessert
proper.</p>
<p>But it seems difficult, in entering the Colamores' and other large places of
the kind in New York, to know what to select, there are such myriads of
exquisite plates, table ornaments, and fairy-lands of glass.</p>
<p>I consider the table ornaments in silver much less attractive than those in
fancy ware. There are lovely maidens in bisque, reclining, while they hold
painted oval dishes for a jelly, a Bavarian cream, or for flowers or fruit;
cherub boys in majolica, tugging away with wheelbarrows, which should be loaded
with flowers; antique water-jugs; <implement>cheese-plates</implement> in
Venetian glass; clusters of lilies from mirror bases to hold flowers of 
<emph rend="italic">bonbons;</emph> tripods of dolphins, with great pink
mouths, to hold salt and pepper.</p>
<p>If a lady, with tastes to cultivate in her family, can afford elegancies in
dress, let her retrench in that, and bid farewell to all her ugly and insipid
white china; let wedding presents consist more of these ornaments (which may
serve to decorate any room), and less of silver 
<implement>salt-cellars,</implement> <implement>pepper-stands,</implement> and 
<implement>pickle-forks.</implement></p>
<p>Senator Sumner was a lover of the ceramic art. His table presented a
delightful study to the connoisseur, with its different courses of plates, all
different and 
<emph rend="italic">recherch&#233;</emph> in design. Nothing aroused this
inimitable host at a dinner party from his literacy labors more effectually
than a special announcement to him by Marley of the arrival from Europe of a
new set of quaint and elegant specimens of China ware. He would repair to New
York on the next train.</p>
<p>15th. I will close these suggestions by copying from an English book a
practical drill exercise for serving at table. The dishes are served from the
side-table.</p>
<p>"Let us suppose a table laid for eight persons, dressed in its best; as
attendants, only two persons--a butler and a footman, or one of these, with a
page or neat waiting-maid; and let us<pb n="27" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=33"/> suppose some
one stationed outside the door in the butler's pantry to do nothing but fetch
up, or hand, or carry off dishes, one by one:</p><list align="center"
size="smaller"><item align="center">While guests are being seated, person from
outside brings up soup;</item><item align="center">Footman receives soup at
door;</item><item align="center">Butler serves it out;</item><item
align="center">Footman hands it;</item><item align="center">Both change
plates.</item><item align="center">Footman takes out soup, and receives fish at
door; while butler hands wine;</item><item align="center">Butler serves out
fish;</item><item align="center">Footman hands it (plate in one hand, and sauce
in the other);</item><item
align="center">Both change plates.</item><item align="center">Footman brings
in<emph rend="italic">entr&#233;e,</emph> while butler hands
wine;</item><item align="center">Butler hands 
<emph rend="italic">entr&#233;e;</emph></item><item align="center">Footman
hands vegetables;</item><item align="center">Both change plates,</item><item
align="center">Etc., etc.</item></list>
<p>"The carving of the joint seems the only difficulty. However, it will not
take long for an expert carver to cut eight pieces."</p></chapter><chapter
class1="etiquette"><hd align="center">THE DINNER PARTY.</hd>
<p>IT is very essential, in giving a dinner party, to know precisely how many
guests one is to entertain. It is a serious inconvenience to have any doubt on
this subject. Consequently, it is well to send an invitation, which may be in
the following form:</p><illustration><description>An illustration of an
invitation card printed with the following text: Mrs. Smith requests the
pleasure of Mr. Jones's company at dinner, on Thursday, January 5th, at seven
o'clock. R. S. V. P. 12 New York Avenue, January 2d,
1576.</description></illustration>
<p>The capital letters constitute the initials of four French words, meaning,
"Answer, if you please" (<emph rend="italic">R&#233;pondez s'il vous
plait</emph>). The person thus invited must not fail to reply at once,
<pb n="28" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=34"/> sending a messenger to the door with the note. It
is considered impolite to send it by post.</p>
<p>If the person invited has any doubt about being able to attend the dinner at
the time stated, he should decline the invitation at once. He should be
positive one way or the other, not delaying the question for consideration more
than a day at the utmost. If Mr. Jones should then decline, he might reply as
follows:</p><illustration><description>An illustration of a reply card printed
with the following text: Mr. Jones regrets that he is unable to accept Mrs.
Smith's polite invitation for Thursday evening. 8 Thirty-seventh Street,
January 3d.</description></illustration>
<p>Or,</p><illustration><description>An illustration of a reply card printed
with the following text: Mr. Jones regrets that a previous engagement prevents
his acceptance of Mrs. Smith's polite invitation for Thursday evening.
Thirty-seventh Street, January 3d.</description></illustration>
<p>A prompt and decided answer of this character enables Mrs. Smith to supply
the place with some other person, thereby preventing that most disagreeable
thing, a vacant chair at table.</p>
<p>If the invitation be accepted, Mr. Jones might say in his
note:</p><illustration><description>An illustration of a reply card printed
with the following text: Mr. Jones accepts, with pleasure, Mrs. Smith's
invitation for Thursday evening. Thirty-seventh Street, January
2d.</description></illustration>
<p>The more simple the invitation or reply, the better. Do not attempt any
high-flown or original modes. Originality is most charming on most occasions;
this is not one of them.</p>
<p>In New York, many, I notice, seem to think it elegant to use the French
construction of sentences in formal notes: for instance, they are particular to
say, "the invitation of Mrs. Smith," instead of "Mrs. Smith's invitation;" and
"2d January,"<pb n="29" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=35"/> instead of "January 2d." In writing
in the French language, the French construction of sentences would seem
eminently proper. One might be pardoned for laughing at an English
construction, if ignorance were not the cause. So, when one writes in English,
let the sentences be concise, and according to the rules of the language.</p>
<p>On the appointed day, the guest should endeavor to arrive at the house not
exceeding ten minutes before the time fixed for dinner; and while he avoids a
too early arrival, he should be equally careful about being tardy.</p>
<p>It is enough to disturb the serenity and good temper of the most amiable
hostess during the whole evening for a guest to delay her dinner, impairing it,
of course, to a great extent. She should not be expected to wait over fifteen
minutes for any one. Perhaps it would be as well for her to order dinner ten
minutes after the appointed hour in her invitation, to meet the possible
contingency of delay on the part of some guest.</p>
<p>When the guests are assembled in the drawing-room, if the company be large,
the host or hostess can quietly intimate to the gentleman what ladies they will
respectively accompany to the dining-room. After a few moments of conversation
and introductions, the dinner is to be announced, when the host should offer
his arm to the lady guest of honor, the hostess taking the arm of the gentleman
guest of honor; and now, the host leading the way, all should follow; the
hostess, with her escort, being the last to leave the drawing-room. They should
find their places at table with as little confusion as possible, not sitting
down until the hostess is seated. After dinner is over, the hostess giving the
signal by moving back her chair, all should leave the dining-room. The host may
then invite the gentleman to the smoking-room or library. The ladies should
repair to the drawing-room. A short time thereafter (perhaps in half an hour),
the butler should bring to the drawing-room the tea-service on a 
<implement>salver,</implement> with a <implement>cake-basket</implement> filled
with fancy biscuits, or rather crackers or little cakes.</p>
<p>Placing them on the table, he may then announce to the host that tea is
served. The gentlemen join the ladies; and, after a chat of a few minutes over
the tea, all of the guests may take<pb n="30" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=36"/> their
departure. If the attendant is a waiting-maid, and the tea-service rather
heavy, she might bring two or three cups filled with tea, and a small 
<implement>sugar-bowl</implement> and <implement>cream-pitcher,</implement>also
the <implement>cake-basket,</implement> on a small 
<implement>salver;</implement> and when the cups are passed, return for
more.</p>
<p>I do not like the English fashion, which requires the ladies to retire from
the table, leaving the gentlemen to drink more wine, and smoke. Enough wine is
drunk during dinner. English customs are admirable, generally, and one
naturally inclines to adopt them; but in this instance I do not hesitate to
condemn and reject a custom in which I see no good, but, on the contrary, a
temptation to positive evil. The French reject it; let Americans do the
same.</p></chapter><chapter class1="household"><hd align="center">COOKING AS AN
ACCOMPLISHMENT.</hd>
<p>THE reason why cooking in America is, as a rule, so inferior is not because
American women are less able and apt than the women of France, and not because
the American men do not discuss and appreciate the merits of good cooking and
the pleasure of entertaining friends at their own table; it is merely because
American women seem possessed with the idea that it is not the fashion to know
how to cook; that, as an accomplishment, the art of cooking is not as
ornamental as that of needle-work or piano-playing. I do not undervalue these
last accomplishments. A young lady of 
<emph rend="italic">esprit</emph> should understand them; but she should
understand, also, the accomplishment of cooking. A young lady can scarcely have
too many accomplishments, for they serve to adorn her home, and are attractive
and charming, generally. But of them all--painting, music, fancy work, or
foreign language--is there one more fascinating and useful, or one which argues
more intelligence in its acquisition than the accomplishment of cooking?</p>
<p>What would more delight Adolphus than to discover that his pretty 
<emph rend="italic">fianc&#233;e,</emph> Julia, was an accomplished cook;
that with her dainty fingers she could gracefully dash off a creamy omelet, and
by miraculous man&#230;uvres could produce to his astonished
<pb n="31" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=37"/> view a dozen different kaleidoscopic omelets, 
<emph rend="italic">aux fines herbes, aux hu&#238;tres, aux petits pois, aux
tomates,</emph> etc.; and not only that, but scientific croquettes, mysterious
soups, delicious salads, marvelous sauces, and the hundred and one savory
results of a little artistic skill? Delighted Adolphus--if a sensible man, and
such a woman should have no other than a sensible man--would consider this as
the 
<emph rend="italic">chef-d'&#230;uvre</emph> of all her accomplishments, as he
regarded her the charming assurance of so many future comforts.</p>
<p>From innate coquetry alone the French women appreciate the powers of their
dainty table. Cooking is an art they cultivate. Any of the 
<emph rend="italic">haut monde</emph> are proud to originate a new dish, many
famous ones doing them credit in bearing their names.</p>
<p>One thing is quite evident in America--that the want of this ornamental and
useful information is most deplorable. The inefficiency, in this respect, of
Western and Southern women, brought up under the system of slavery, is somewhat
greater than that of the women of the Northern and Eastern States; however, as
a nation, there is little to praise in this regard in any locality. Professor
Blot endeavored to come to the rescue. Every 
<emph rend="italic">man</emph> applauded his enterprise; yet I can myself
testify to the indifference of the women--his classes for the study of cookery
numbering by units where they should have numbered by hundreds. He soon
discontinued his instructive endeavors, and at last died a poor man.</p>
<p>There is little difficulty abroad in obtaining good cooks at reasonable
prices, who have pursued regular courses of instruction in their trade: not so
in America. Hospitality demands the entertaining of friends at the social
board; yet it is almost impossible to do so in this country in an acceptable
manner, unless the hostess herself not only has a proper idea of the serving of
a table, but of the art of cooking the dishes themselves as well. In some of
the larger cities, satisfactory dinners and trained waiters may be provided at
an enormous cost at the famous restaurants, where the meal may appear home-like
and elegant. But unfortunate is the woman, generally, who wants to do "the
correct thing," and, wishing to entertain at<pb n="32"
id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=38"/>dinner, relies upon the sense, good taste, and management of
the proprietor of a restaurant. She may confidently rely upon one thing--an
extortionate bill; and, generally, as well, upon a vulgar display, which poorly
imitates the manner of refined private establishments.</p>
<p>However, "living for the world" seems very contemptible in comparison with
the importance of that wholesome, satisfactory, every-day living which so
vitally concerns the health and pleasure of the family circle.</p>
<p>But why waste time in asserting these self-evident facts? They are
acknowledged and proclaimed every day by suffering humanity; yet the difficulty
is not remedied. Is there a remedy, then? Yes. This is a free country, yet Dame
Fashion is the Queen. Make it the fashion, then, that the art and science of
cookery shall be classed among the necessary accomplishments of every
well-educated lady. This is a manifest duty on the part of ladies of influence
and position, even if the object be only for the benefit of the country at
large. Let these ladies be accomplished artists in cookery. The rest will soon
follow. There will be plenty of imitators.</p>
<p>Many ladies of rank in England have written valuable books on cookery, and
on the effects resulting from the want of the knowledge. None wrote better than
Lady Morgan. Speaking of clubs, she says:</p>
<p>"The social want of the times, however, brought its remedy along with it,
and the reaction was astounding.... Then it was that clubs arose--homes of
refuge to destitute celibacy, chapels of ease to discontented husbands. There,
men could dine, like gentlemen and Christians, upon all the 
<emph rend="italic">friandises</emph> of the French kitchen, much cheaper and
far more wholesomely than at their own tables upon the tough, half-sodden
fibres of the national roast and boiled, or on the hazardous resources of hash;
gravy soup, and marrow puddings.</p>
<p>"Moral England gave in. The English 'home'--that temple of the heart, that
centre of all the virtues--was left to the solitary enjoyment of the English
wives.</p>
<p>"To your 
<emph rend="italic">casseroles,</emph> then, women of Britain! Would you, with
a falconer's voice, lure your faithless tassels back again?
<pb n="33" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=39"/> Apply to the practical remedy of your wrongs;
proceed to the reform of your domestic government, and turn your thoughts to
that art which, coming into action every day in the year during the longest
life, includes within its circles the whole philosophy of economy and order,
the preservation of good health, and the tone of good society--and all
peculiarly within your province."</p></chapter><chapter class1="generalfood"
class2="etiquette"><hd align="center">BREAKFAST.</hd>
<p>AFTER a fast of twelve or thirteen hours, the system requires something
substantial as preparation for the labors of the day; consequently, I consider
the American breakfasts more desirable for an active people than those of
France or England.</p>
<p>In France, the first breakfast consists merely of a cup of coffee and a
roll. A second breakfast, at eleven o'clock, is more substantial, dishes being
served which may be eaten with a fork (<emph rend="italic">d&#233;jeuner
&#224; la fourchette</emph>), as a chop with a potato 
<emph rend="italic">souffl&#233;.</emph> No wonder there are 
<emph rend="italic">caf&#233;s</emph> in Paris where American breakfasts are
advertised, for it takes one of our nationality a very short time to become
dissatisfied with this meagre first meal.</p>
<p>In England, breakfast is a very informal meal. After some fatiguing
occasion, if one should desire the luxury of an extra nap, he is not
mercilessly expected at the table simply because it is the breakfast-hour; for
there the breakfast-hour is any time one chances to be ready for it. Gentlemen
and ladies read their papers and letters in the breakfast-room--a practice
which, of course, is more agreeable for guests than convenient for servants.
However, if one can afford it, why not? This habit requires a little different
setting of the table. It is decorated with flowers or plants, and upon it are
placed several kinds of breads, fruits, melons, potted meats, and freshest of
boiled eggs. But the substantial dishes must be served from the sideboard,
where they are kept in silver <implement>chafing-dishes</implement> over 
<implement>spirit-lamps.</implement> As members of the family or guests enter,
the servant helps them each once, then leaves the room. If they have further
wants, they help themselves or ring a bell.</p><pb n="34" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=40"/>
<p>The American breakfast is all placed upon the table, unless oatmeal porridge
should be served as a first course. Changes of plates are also necessary when
cakes requiring sirup or when melons or fruits are served.</p>
<p>Let us now set the American breakfast-table.</p>
<p>The <implement>coffee-urn</implement> and silver service necessary are
placed in a straight line before the hostess. The one or two kinds of
substantials are set before the host; vegetables or 
<emph rend="italic">entr&#233;es</emph> are placed on the sides. Do not have
them askew. It is quite as easy for an attendant to place a dish in a straight
line as in an oblique angle with every other dish on the table.</p>
<p>I advocate the general use of oatmeal porridge for breakfast. Nothing is
more wholesome, and nothing more relished after a little use. If not natural,
the taste should be acquired. It is invaluable for children, and of no less
benefit for persons of mature years. Nearly all the little Scotch and Irish
children are brought up on it. When Queen Victoria first visited Scotland, she
noticed the particularly ruddy and healthy appearance of the children, and,
after inquiry about their diet and habits, became at once a great advocate for
the use of porridge. She used it for her own children, and it was at once
introduced very generally into England. Another of its advantages is that
serving it as a first course enables the cook to prepare many dishes, such as
steaks, omelets, etc., just as the family sit down to breakfast; and when the
porridge is eaten, she is ready with the other dishes "smoking hot."</p>
<p>It would be well if more attention were given to breakfasts than is usually
bestowed. The table might have a fresher look with flowers or a flowering plant
in the centre. The breakfast napery is very pretty now, with colored borders to
suit the color of the room, the table-cloth and napkins matching.</p>
<p>The beefsteaks should be varied, for instance, one morning with a tomato
sauce, another 
<emph rend="italic">&#224; la ma&#238;tre d'h&#244;tel,</emph> or with a
brown sauce, or garnished with water-cresses, green pease, fried potatoes,
potato-balls, etc., instead of being always the same beefsteak, too frequently
overcooked or undercooked, and often floating in butter.</p>
<p>Melons, oranges, compotes, any and all kinds of fruits, should
<pb n="35" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=41"/> be served at breakfast. In the season, sliced
tomatoes, with a French or 
<emph rend="italic">Mayonnaise</emph> dressing, is a most refreshing breakfast
dish. A great resource is in the variety of omelets, and with a little
practice, nothing is so easily made. One morning it may be a plain omelet;
another, with macaroni and cheese; another, with fine herbs; another, with
little strips of ham or with oysters. The English receipt on page 148 makes a
pleasant change for a veal cutlet. When chickens are no longer very young, the
receipt on page 175 (deviled chicken), with a Cunard sauce or a white sauce, is
another change. The different arrangements of meat-balls are croquettes, with
tomato, cream, apple, or brown sauces, are delicious when they are freshly and
carefully made.</p>
<p>As there are hundreds of delicious breakfast dishes, which only require a
little attention and interest to understand, how unfortunate it must be for a
man to have a wife who has nothing for breakfast but an alternation of
juiceless beefsteak, greasy and ragged mutton-chops, and swimming hash, with
unwholesome hot breads to make up deficiencies!</p>
<p>Breakfast parties are very fashionable, being less expensive than dinners,
and just as satisfactory to guests. They are served generally about ten
o'clock, although any time from ten to twelve o'clock may be chosen for the
purpose. It seems to me that ten o'clock, or even nine o'clock (it depends upon
the persons invited), is the preferable hours. Guests might prefer to retain
their strength by a repast at home if the breakfast-hour were at twelve
o'clock, and then the fine breakfast would be less appreciated. At breakfast
parties, with the exception of the silver service being on the table all the
time for tea and coffee, the dishes are served in courses precisely as for
dinner.</p>
<p>In England, breakfast parties are perhaps more in favor than lunch parties,
especially among the 
<emph rend="italic">literati.</emph> Macaulay said, when extolling the merits
of breakfast parties as compared with all other entertainments, "Dinner parties
are mere formalities; but you invite a man to breakfast because you want to
see<emph rend="italic">him.</emph>"</p>
<p>There bills of fare are given for breakfast parties, which will show the
order of different courses:</p><pb n="36" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=42"/><section
class1="menus"><hd align="center" rend="italic">Winter Breakfast.</hd><list
size="smaller" align="center"><item align="center">1st Course.--Broiled
sardines on toast, garnished with slices of lemon. Tea, coffee, or
chocolate.</item><item align="center">2d Course.--Larded sweet-breads,
garnished with French pease. Cold French rolls or petits pains.
Sauterne.</item><item align="center">3d Course.--Small fillets or the tender
cuts from porter-house-steaks, served on little square slices of toast, with
mushrooms.</item><item align="center">4th Course.--Fried oysters; breakfast
puffs.</item><item align="center">5th Course.--Fillets of grouse (each fillet
cut in two), on little thin slices of fried mush, garnished with potatoes
&#224; la Parisienne.</item><item align="center">6th Course.--Sliced oranges,
with sugar.</item><item align="center">7th Course.--Waffles, with maple
sirup.</item></list></section><section class1="menus"><hd align="center"
rend="italic">Early Spring Breakfast.</hd><list size="smaller"
align="center"><item align="center">1st Course.--An Havana orange for each
person, dressed on a fork (page 338).</item><item align="center">2d
Course.--Boiled shad, ma&#238;tre d'h&#244;tel sauce; Saratoga potatoes. Tea
or coffee.</item><item align="center">3d Course.--Lamb-chops, tomato sauce.
Ch&#226;teau Yquem.</item><item align="center">4th Course.--Omelet, with green
pease, or garnished with parsley and thin diamonds of ham, or with shrimps,
etc., etc.</item><item align="center">5th Course.--Fillets of beef, garnished
with water-cresses and little round radishes; muffins.</item><item
align="center">6th Course.--Rice pancakes, with maple
sirup.</item></list></section><section class1="menus"><hd align="center"
rend="italic">Summer Breakfast.</hd><list align="center" size="smaller"><item
align="center">1st Course.--Melons.</item><item align="center">2d
Course.--Little fried perch, smelts, or trout, with a sauce Tartare, the dish
garnished with shrimps and olives. Coffee, tea, or chocolate.</item><item align="center">3d
Course.--Young chickens, saut&#233;d, with cream-gravy, surrounded with
potatoes &#224; la neige. Claret.</item><item align="center">4th
Course.--Poached eggs on anchovy-toast.</item><item align="center">5th
Course.--Little fillets of porter-house-steaks, wit tomatoes &#224; la
Mayonnaise.</item><item align="center">6th Course.--Peaches, quartered,
sweetened, and half-frozen.</item></list></section></chapter><chapter
class1="generalfood" class2="etiquette"><hd align="center">LUNCH.</hd>
<p>THIS is more especially a ladies' meal. If one gives a lunch party, ladies
alone are generally invited. It is an informal meal on ordinary occasions, when
every thing is placed upon the table<pb n="37" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=43"/> at once. A
servant remains in the room only long enough to serve the first round of
dishes, then leaves, supposing that confidential conversation may be desired.
Familiar friends often "happen in" to lunch, and are always to be expected.</p>
<p>Some fashionable ladies have the reputation of having every fine
lunches--chops, chickens, oysters, salads, chocolate, and many other good
things being provided; and others, just as fashionable, have nothing but a cup
of tea or chocolate, some thin slices of bread and butter, and cold meat; or,
if of Teutonic taste, nothing but cheese, crackers, and ale, thus reserving the
appetite for dinner.</p>
<p>In entertaining at lunch, the dishes are served in the same manners as for
dinner. Each dish is served as a separate course. It may be placed on the table
before the hostess, if the lunch party is not very large; but it is generally
served from the side. The table is also decorated in the same manner as for
dinner, with a centre-piece of flowers or of fruit, and with various 
<implement rend="italic">compotiers</implement> around the centre, containing
fruits, 
<emph rend="italic">bonbons,</emph> little fancy cakes, Indian or other
preserves, etc. Other ornaments, in Dresden china, <implement>majolica
ware,</implement> Venetian or French glass, etc., filled with flowers, are
often seen. Little dishes of common glass in different shapes, as crosses,
quarter-moons, etc., about an inch high (see cuts, page 58), are also filled
with flowers, and placed at symmetrical distances. As the last-mentioned
decorations are very cheap, every one may indulge in them, and consider that
there are no more beautiful ornaments, after all.</p>
<p>The lunch-table is generally covered with a colored table-cloth.</p>
<p>The principal dishes served are 
<emph rend="italic">pat&#233;s,</emph> croquettes, shell-fish, game,
salads--in fact, all kinds of 
<emph rend="italic">entr&#233;es,</emph> and cold desserts, or I may say
dishes are preferred which do not require carving. 
<emph rend="italic">Bouillon</emph> is generally served as a first course in 
<emph rend="italic">bouillon</emph> cups, which are quite like large
coffee-cups, or coffee or <implement>tea cups</implement> may be used, although
any dinner soup served in <implement>soup-plates</implement> is 
<emph rend="italic">en regle.</emph> A cup of chocolate, with whipped cream on
the top, is often served as an another course.</p>
<p>I will give five bills of fare, reserved from five very nice little lunch
parties:</p><section class1="menus"><pb n="38" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=44"/><hd
align="center"><emph rend="italic">Mrs. Collier's Lunch</emph> (February
2d).</hd><list align="center" size="smaller"><item align="center">Bouillon;
sherry.</item><item align="center">Roast oysters on half-shell;
Sauterne.</item><item align="center">Little vols-au-vent of
oysters.</item><item align="center">Thin scollops, or cuts of fillet of beef,
braised; French pease; Champagne.</item><item align="center">Chicken
croquettes, garnished with fried parsley; potato croquettes.</item><item
align="center">Cups of chocolate, with whipped cream.</item><item
align="center">Salad--lettuce dressed with tarragon.</item><item
align="center">Biscuits glace&#233;s; fruit-ices.</item><item
align="center">Fruit.</item><item
align="center">Bonbons.</item></list></section><section class1="menus"><hd
align="center"><emph rend="italic">Mrs. Sprague's Lunch</emph> (March
10th).</hd><list align="center" size="smaller"><item align="center">Raw oysters
on half-shell.</item><item align="center">Bouillon; sherry.</item><item
align="center">Little vols-au-vent of sweet-breads.</item><item
align="center">Lamb-chops; tomato sauce; Champagne.</item><item
align="center">Chicken croquettes; French pease.</item><item
align="center">Snipe; potatoes &#224; la Parisienne.</item><item
align="center">Salad of lettuce.</item><item align="center">Neuch&#226;tel
cheese; milk wafers, toasted.</item><item align="center">Chocolate Bavarian
cream, molded in little cups, with a spoonful of peach marmalade on each
plate.</item><item align="center">Vanilla ice-cream; fancy cakes.</item><item
align="center">Fruit.</item></list></section><section class1="menus"><hd
align="center"><emph rend="italic">Mrs. Miller's Lunch</emph> (January
6th).</hd><list align="center" size="smaller"><item
align="center">Bouillon.</item><item align="center">Deviled crabs; olives;
claret punch.</item><item align="center">Sweet-breads &#224; la
Milanaise.</item><item align="center">Fillets of grouse, currant jelly;
Saratoga potatoes.</item><item align="center">Roman punch.</item><item
align="center">Fried oysters, garnished with chow-chow.</item><item
align="center">Chicken salad, or, rather, Mayonnaise of chicken.</item><item
align="center">Ramikins.</item><item align="center">Wine jelly, and whipped
cream.</item><item align="center">Napolitaine ice-cream.</item><item
align="center">Fruit.</item><item
align="center">Bonbons.</item></list></section><section class1="menus">
<pb n="39" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=45"/><emph rend="italic">Mrs. Well's Lunch.</emph><list
align="center" size="smaller"><item align="center">Bouillon;
sherry.</item><item align="center">Fried frog's legs; French pease.</item><item
align="center">Smelts, sauce Tartare; potatoes &#224; la
Parisienne.</item><item align="center">Chicken in 
<implement>scallop-shells;</implement> Champagne.</item><item
align="center">Sweet-bread croquettes; tomato sauce.</item><item
align="center">Fried cream.</item><item align="center">Salad;
Romaine.</item><item align="center">Welsh rare-bit.</item><item
align="center">Peaches and cream, frozen; fancy cakes.</item><item
align="center">Fruits.</item></list></section><section
class1="menus"><hd align="center" rend="italic">Mrs. Filley's Lunch.</hd><list
align="center" size="smaller"><item align="center">Mock-turtle soup; English
milk-punch.</item><item
align="center">Lobster-chops; claret.</item><item align="center">Mushrooms in
crust.</item><item align="center">Lamb-chops, en papillote.</item><item
align="center">Chetney of slices of baked fillet of beef.</item><item
align="center">Chocolate, with whipped cream.</item><item
align="center">Spinach on tongue slices (page 145), sauce Tartare.</item><item
align="center">Roast quail, bread sauce (page 185).</item><item
align="center">Cheese; lettuce, garnished with slices of radishes and
nasturtium blossoms, French dressing.</item><item align="center">Mince-meat
patties; Champagne.</item><item align="center">Ices and fancy
cakes.</item><item
align="center">Fruit.</item></list></section></chapter><chapter
class1="generalfood" class2="etiquette"><hd align="center">GENTLEMEN'S
SUPPERS.</hd>
<p>As ladies have exclusive lunches, gentlemen have exclusive suppers. Nearly
the same dishes are served for suppers as for lunches, although gentlemen
generally prefer more game and wine. Sometimes they like fish suppers, with two
or three or more varieties of fish, when nightmare might be written at the end
of the bill of fare.</p>
<p>If one has not a reliable cook, it is very convenient to give these
entertainments, as the hostess has a chance to station herself in the 
<emph rend="italic">cuisine,</emph> and personally superintend the supper.</p>
<pb n="40" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=46"/>
<p>One bill of fare is given for a fish supper:</p><section
class1="menus"><list size="smaller"><item>1st Course.--Raw oysters served in a
block of ice (page 113). [The ice has a pretty effect in the
gas-light.]</item><item>2d Course.--Shad, ma&#238;tre d'h&#244;tel sauce,
garnished with smelts.</item><item>3d Course.--Sweet-breads and tomato
sauce.</item><item>4th Course.--Boiled sardines, on toast.</item><item>5th
Course.--Deviled chicken, Cunard sauce.</item><item>6th Course.--Fillets of
duck, with salad of lettuce.</item><item>7th Course.--Mayonnaise of salmon,
garnished with shrimps.</item><item>8th Course.--Welsh
rare-bit.</item><item>9th Course.--Charlotte Russe.</item><item>10th
Course.--Ice-cream and cake.</item></list></section></chapter><chapter
class1="generalfood" class2="etiquette"><hd align="center">EVENING
PARTIES.</hd>
<p>IF people can afford to give large evening parties, it is less trouble and
more satisfactory to place the supper in the hands of the confectioner.</p>
<p>For card parties or small companies of thirty or forty persons, to meet some
particular stranger, or for literary reunions, the trouble need not be great.
People would entertain more if the trouble were less.</p>
<p>If one has a regular reception-evening, ices, cake, and chocolate are quite
enough; or for chocolate might be substituted sherry or a bowl of punch.</p>
<p>For especial occasions for a company of thirty or forty, a table prettily
set with some flowers, fruit, chicken salad, croquettes or sweet-breads and
pease, one or two or more kinds of ice-cream and cakes, is quite sufficient.
Either coffee and tea, Champagne, a bowl of punch or of eggnog, would be
sufficient in the way of beverage.</p></chapter><chapter class1="household"><hd
align="center">SOMETHING ABOUT ECONOMY.</hd>
<p>I AM indebted to a French girl living in our family for the substance of
this chapter. Her parents being obliged to live in a most economical way in St.
Louis, still had an uncommonly<pb n="41" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=47"/> good table. One
resource was a little garden, in which small compass were raised enough onions,
tomatoes, carrots, and a few other vegetables, to nearly supply the family. A
small bed of four feet square, surrounded by a pretty border of lettuce, was
large enough for raising all necessary herbs, such as sage, summer savory,
thyme, etc. Little boxes in the kitchen windows contained growing parsley, ever
ready for use.</p>
<p>I give receipts for three of their soups--the onion, vegetable 
<emph rend="italic">Pur&#233;e,</emph> and potato soups being most excellent,
and costing not over from five to ten cents each. One of their dinner dishes
was a heart (10 cents) stuffed, baked two or three hours, and served with a
brown gravy and an onion garnish (see receipt). Still another was a two-pound
round-steak (20 cents), spread with a bread and sage stuffing, then rolled,
tied, floured, seasoned on top, then baked, basting it often. It was a pretty
dish, with tomato sauce around it. Sometimes a cheap fish was cut in slices,
egged and bread-crumbed, fried, and garnished with fried potatoes. They had
always a salad for dinner, prepared from their border of lettuce, some cold
potatoes, cold beans, or other vegetable. A fine breakfast dish was of kidneys
(5 cents). Few Americans know how to cook kidneys, and butchers often throw
them away; yet in France they are considered a great delicacy.</p>
<p>Their 
<emph rend="italic">r&#233;pertoire</emph> of cheap dishes was large; so
there was always a change for, at least, each day of the week. A crumb of bread
was never wasted. All odd morsels were dried in the oven, pounded, and put away
in a tin-box, ready for breading cutlets cut from any pieces of mutton or veal,
and for many other purposes.</p>
<p>Any pieces of suet or drippings were clarified and put one side, to be used
for frying. Remains of cooked vegetables of any kind were saved for soups and
sauces. Not a slice of a tomato nor leaf of a cabbage was thrown away.</p>
<p>If they had butter that was not entirely sweet, they added more salt, a
little soda, brought it to a boil on the stove, and then put it away in a
little <implement>crock.</implement> By allowing the settlings to remain at the
bottom, the butter became entirely sweet, and not too salt for cooking
purposes.</p><pb n="42" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=48"/>
<p>Chickens, cutlets, etc., were larded at this table. Now, just to mention the
word "larding" is to overwhelm a common cook; and to require it, is to rivet in
the minds of most housewives the entire impracticability of a whole receipt in
which it is an item. Pieces of salt pork or breakfast bacon should always be
kept in the house. A pound of it, which is not expensive, may last a long time,
as it requires very little for flavoring many things; then, if one has any idea
of sewing, or what it is to push a needle through any thing, one can lard. It
only requires a <implement>larding-needle,</implement> which costs fifteen
cents, and which should last a century. By placing little cut strips of pork in
the end of the needle, as is explained among "directions," then drawing the
needle through parts of the meat, leaving the pork midway, this wonderfully
difficult operation is accomplished. It is only a few minutes' pastime to lard
turkeys, chickens, birds, cutlets, sweet-breads, etc., which gives to them
flavor and style.</p>
<p>Limited in fortune as were this family, they were never without stock at
hand. Their meat for croquettes, patties, etc., had served a duty to the 
<implement>soup-kettle.</implement> If a chicken was to be boiled for the
table, it was thrown into the <implement>stock-pot</implement> while the soup
was simmering, and thus it and the chicken were both benefited.</p>
<p>Their meat dishes were often garnished with little potato-balls, cooked 
<emph rend="italic">&#224; la Parisienne,</emph> or simply boiled. This
seemed extravagant; but as a <implement>French vegetable-cutter</implement>
only costs twenty-five cents, and the balls can be cut very rapidly--all the
parings boiled and mashed serving another time as potato-cakes--there was
nothing wasted, and little time lost.</p>
<p>In short, this household (and it is a sample of nearly all French families
of limited means) lived well on little more than many an American family would
throw away.</p>
<p>Let me give five bills of fare of their dinners, the second of which is
partly prepared from the remains of the first day:</p><section
class1="menus"><list size="smaller" align="center"><item align="center">Beef
soup (soup bone), 10 cents.</item><item align="center">Veal blanquitte and
boiled potatoes (knuckle of veal), 15 cents.</item><item align="center">Salad
of sliced tomatoes, 2 or 3 cents.</item><item align="center">Boiled rice, with
a border of stewed small pears (green, or of common variety), 10
cents.</item></list></section><section class1="menus">
<pb n="43" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=49"/><list size="smaller" align="center"><item
align="center">Onion or bean soup, 5 cents.</item><item align="center">Fish (en
matelote), 15 cents.</item><item align="center">Croquettes (made of the remains
of the cold beef-soup meat, and rice), with a tomato sauce.</item><item
align="center">Salad of cold boiled potatoes.</item><item align="center">Fried
bread-pudding.</item></list></section><section class1="menus"><list
size="smaller" align="center"><item align="center">Potato soup.</item><item
align="center">Round steak, rolled (page 140), with baked, parboiled onions, 25
cents.</item><item align="center">Salad of lettuce.</item><item
align="center">Apple-fritters, with sirup.</item></list></section><section
class1="menus"><list size="smaller" align="center"><item align="center">Beef
&#224; la mode, with spinach, 40 cents (enough for two dinners).</item><item
align="center">Salad of potatoes and parsley.</item><item
align="center">Rice-pudding.</item></list></section><section
class1="menus"><list size="smaller" align="center"><item align="center">Noodle
soup.</item><item align="center">Mutton ragout, with potatoes, 25
cents.</item><item align="center">Noodles and stuffed tomatoes.</item><item
align="center">Cheese omelet.</item></list></section></chapter><chapter
class1="generalfood"><hd align="center">DIRECTIONS AND
EXPLANATIONS.</hd><section class1="generalfood"><hd
align="center">BOILING.</hd>
<p>FOWLS or joints should be tied or well skewered into shape before
boiling.</p>
<p>Every thing should be 
<emph rend="italic">gently</emph> simmered, rather than fast boiled, in order
to be tender. The water should never be allowed to stop simmering before the
article is quite done. A pudding is thus entirely ruined.</p>
<p>The kettle should be kept covered, merely raising the cover at times to
remove the scum. Boiled fowl, with a white sauce, is a favorite English dish,
and very nice it is if properly prepared.</p></section><section
class1="generalfood"><hd align="center">FRYING.</hd>
<p>Frying means cooking by 
<emph rend="italic">immersion</emph> in hot fat, butter, or oil. There is no
English word for what is called frying in a<pb n="44"
id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=50"/>spoonful of fat, first on one side, and then on the other. 
<emph rend="italic">Saut&#233;</emph> is the French word, and should be
Anglicized. Ordinary cooks, instead of frying, invariably 
<emph rend="italic">saut&#233;</emph> every thing. Almost every article that
is usually 
<emph rend="italic">saut&#233;d</emph> is much better and more economical 
<emph rend="italic">fried;</emph> as, for instance, oysters, fish, birds,
cutlets, crabs, etc.</p>
<p>The fat should always be tested before the article is immersed. A little
piece of bread may be thrown in, and if it colors quickly, the fat is ready,
and not before. The temperature of hot grease, it will be remembered, is much
greater than that of boiling water, which can not exceed a certain degree of
heat, whether it boil slow or fast. Hot grease reaches a very high degree of
heat, and consequently the surface of any thing is almost instantaneously
hardened or crisped when thrown into it. The inside is thus kept free from
grease, and is quickly cooked. An article first dipped in egg and bread-crumbs
should be 
<emph rend="italic">entirely</emph> free from grease when thus cooked, as the
egg is hardened the instant it touches the hot grease, and the oyster,
croquette, cutlet, or sweet-bread is perfectly protected. The same fat can be
used repeatedly for frying the same thing. The fat in which fish is fried
should not be again used for any thing except fish. Professional cooks have
several frying-kettles, in which fat is kept for frying different things. A
little kettle for frying potatoes exclusively should always be at hand.</p>
<p>One will see that this style of cooking is economical, as there is very
little waste of fat; and then fried articles need no other dressing.</p>
<p>After frying fish, meat, or vegetables, let the fat stand about five
minutes; strain, and then return it to the kettle, which should always be kept
covered, after it is once cold.</p>
<p>Beef suet, salted, is quite as good for frying as lard, and is much cheaper.
It is well to purchase it by the pound, and have it rendered in the
kitchen.</p>
<recipe class1="accompaniments">
<p align="center"><purpose>TO PREPARE GREASE FOR
FRYING</purpose><attribution>(<emph rend="italic">Professor
Blot</emph>).</attribution></p>
<p>Take <ingredient>beef suet, the part around the kidneys,</ingredient> or any
kind of <ingredient>fat,</ingredient> raw or cooked, and free of fibres,
nerves, thin skin, or bones; chop it fine; add to it whatever you may have of 
<ingredient>fat</ingredient><pb n="45" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=51"/> skimmed off the top
of meat soup; put it in a cast-iron or crockery kettle; set it on a moderate
fire; boil gently for fifteen minutes; skim it well during the process; take
from the fire, leave it five minutes, and then strain it; after which, put it
in pots, and keep them in a dry and cool place; cover the pots well every time
you have occasion to use, but never cover them while the grease is warm. This
grease is as good, if not better than any other to fry fish, fritters, and
other similar things, which require to be entirely covered with grease.<ref
target="n1">*</ref></p>
</recipe></section><section class1="generalfood"><hd
align="center">BROILING.</hd>
<p>I did not appreciate the nicety of boiling until, upon an occasion, a
gentleman invited a dinner company to a private dining-room of one of our large
restaurants, to eat a certain kind of fish, which he considered especially
fine. The host was quite out of humor to see the fish come to the table baked,
when he had ordered it broiled. The proprietor afterward explained that, for
some reason, his French cook was absent for that day, and he had no other who
could broil so large a fish. I at once realized that, after all, it must be a
delicate and difficult thing to broil a large fish, so that the centre would be
well done, and the surface not burned. The smaller and thinner the article, the
hotter should be the fire; the larger the article, the more temperate the fire,
or, rather, the greater distance it should at first be placed from it. The
fish, in this case, should have been wrapped in oiled or buttered paper. It
should have been placed rather near the fire for the first few minutes; then
removed farther away, or placed on another more moderate fire. A large 
<implement>baking-pan</implement> should have covered the top of the fish, to
hold the heat. When nearly done, the paper should have been removed, to allow
the surface to brown.</p><ednote>The following note appears at the bottom of
page 45 in the original text.</ednote>
<p id="n1" size="smaller">*The author would add a small proportion of water to
the pieces of fat. It facilitates the melting process, preserves the color, and
will all evaporate in cooking.</p>
<p>Always grease the <implement>gridiron</implement> well, and have it 
<emph rend="italic">hot,</emph> before the meat is placed on it. Any thing
egged and bread-crumbed should be buttered before it is broiled. Fish should be
buttered and sprinkled with flour, which will prevent the skin from
<pb n="46" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=52"/> adhering to the 
<implement>gridiron.</implement>Cutlets, and in fact every thing, are more
delicate buttered before boiling. A little lemon-juice is also often a nice
addition. Birds, and other things which need to be halved, should be broiled, 
<emph rend="italic">inside</emph> first.</p>
<p>Remember that a hot, clear fire is necessary for cooking all small articles.
They should be turned often, to be cooked evenly, without being burned.</p>
<p>Never put a fork in the lean part of meat on the 
<implement>gridiron,</implement> as it allows the juice to escape.</p>
<p>Always cover the <implement>gridiron</implement> with a tin pan or a 
<implement>baking-pan.</implement> The sooner the meat is cooked without
burning, the better. The pans holds the heat, and often prevents a stray line
of smoke from touching the meat.</p>
<p>If the fire should be too hot, sprinkle salt over it.</p></section><section
class1="generalfood"><hd align="center">ROASTING.</hd>
<p>There is little use to talk about roasting, as but few will attempt it,
always considering it easier to bake instead. Indeed, there is so little demand
in many sections for stoves and ranges suited to the purpose that they are
difficult to obtain. Of course, there is no comparison between these modes of
cooking. Beef, mutton, turkeys, ducks, or birds--in fact, any kind of meat is
tenfold better roasted than baked. In Europe, all these articles are roasted;
and people there would have great contempt for a piece of beef or a turkey
baked. In New York and Philadelphia, also, at the finer establishments, the
meats are generally roasted. The trouble is little greater than to bake. It is
only necessary to have the range or stove constructed for roasting, and a tin
screen, with a spit and <implement>jack,</implement> to place before the coals.
Some of the <implement>roasters</implement> are arranged with a 
<implement>spring-jack.</implement> The meat is placed on the spit, and the
spring wound up, which sets the meat to revolving slowly before the fire.</p>
<p>In roasting, the meat should at first be placed near the coals, so as to
quickly harden the surface; then it should be removed back a little distance,
to be cooked through, without burning. The oftener it is basted, the better it
is. If the roast of meat is very large, it should be surrounded with a buttered
paper.</p>
<p>Just before the meat is done, it should be basted with a little
<pb n="47" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=53"/> butter or drippings, then sprinkled with flour,
and placed nearer the fire, to brown nicely, when it will take a frothy
appearance.</p>
<p>Much depends upon the management of the fire. It should be made some time
before the meat is placed for roasting, so that the coals may be bright and
hot. It should also be strong enough to last, with only the addition of an
occasional coal at the top. In fine establishments abroad, a grate for burning
coal, charcoal, or wood is made in the kitchen, for the purpose of roasting
only. This is convenient, but more expensive than roasting in ranges or stoves,
where the same fire may serve for cooking every thing.</p></section><section
class1="generalfood"><hd align="center">SAUT&#233;ING.</hd>
<p>As I have already said, frying implies immersing in fat or oil; but 
<emph rend="italic">saut&#233;ing</emph> means to cook in a 
<implement>spider</implement> or <implement><emph
rend="italic">saut&#233;</emph> pan,</implement> with just enough hot fat to
keep the article, while being cooked, from sticking. The fat should always be
quite hot before placing on it any thing to cook.</p></section><section
class1="generalfood"><hd align="center">BRAISING.</hd>
<p>A <implement>braising-kettle</implement> has a deep cover, which holds
coals; consequently, the cooking is done from above as well as below. It is
almost air-tight, thus preventing evaporation, and the article to be cooked
imbibes whatever flavor one may wish to give it.</p>
<p>The article is generally cooked in stock or broth (water may be used also),
with slices of bacon, onion, carrot, etc., placed around the meat. It is a
favorite mode of cooking pigeons. An ordinary cut of beef may be made very
savory cooked in this manner, and the juice left makes a good gravy when freed
from fat.</p>
<p>If a <implement>braising-pan</implement> is not at hand, a common,
tight-covered saucepan answers very well without the upper coals. Except for
coloring larding on the top of the article to be braised, I do not appreciate
the value of the upper coals, anyway; and the coloring may be accomplished with
the <implement>salamander</implement> or hot shovel as
well.</p></section><section class1="meatfishgame"><pb n="48"
id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=54"/><hd align="center">LARDING.</hd>
<recipe class1="meatfishgame">
<p>Cut the firmest <ingredient>bacon fat,</ingredient> with a heated or very
sharp knife, into square lengths of equal size. Placing one end in a 
<implement>larding-needle,</implement> draw it through the skin and a small bit
of the <ingredient>meat,</ingredient> leaving the strip of 
<ingredient>pork,</ingredient> or <ingredient>lardoon,</ingredient> as it is
called, in the <ingredient>meat.</ingredient> The two ends left exposed should
be of equal length. The punctures for the lardoons should be in rows, of equal
distance apart, arranged in any fanciful way that may suit the cook. The usual
form for <purpose>larding,</purpose> however, is as shown in cut (page 57).</p>
</recipe></section><section class1="meatfishgame"><hd
align="center">BONING.</hd>
<recipe class1="meatfishgame">
<p><purpose>Boning</purpose> is not a difficult operation. It only requires
time, a thin, sharp knife, and a little care. Cut off the neck, and also the
legs at the first joint. Cut the skin in a line down the middle of the back.
Now, taking first one side and then the other of the cut in the fingers,
carefully separate the flesh from the bones, sliding the knife close to the
bone. When you come to the wings and legs, it is easier to break or unjoint the
bones at the body-joint; cutting close by the bone, draw it, turning the flesh
of the legs and wings inside out. When all the bones are out, the skin and
flesh can be re-adjusted and stuffed into shape. As the leg and wing bones
require considerable time to remove, they may be left in, and the body stuffed
with <ingredient>lamb or veal force-meat.</ingredient> See receipt for boned 
<ingredient>chicken</ingredient> (page 174). It is a very pretty and delicious
dish.</p>
</recipe></section><section class1="generalfood"><hd align="center">EGG AND
BREAD CRUMBING.</hd>
<recipe class1="accompaniments">
<p>Always sift the <purpose><alt synonym1="egg and bread crumbing">bread or
cracker crumbs.</alt></purpose> Whenever there are spare pieces or 
<ingredient>trimmings of bread</ingredient> or <ingredient>broken
crackers,</ingredient> dry them at once in the oven, and after pounding and
sifting, put them away in a tin can, for future use. In preparing for use, beat
the <ingredient>eggs</ingredient> a little. If they are to be used for sweet
dishes, such as rice croquettes, sweeten them slightly. If they are to be used
for meats, sweet-breads, oysters, etc., always <ingredient>salt</ingredient>and
<ingredient>pepper</ingredient> them, and for a change, finely chopped 
<ingredient>parsley</ingredient> may be added. Add a small proportion of 
<ingredient>milk</ingredient> to the <ingredient>eggs,</ingredient> say a
half-cupful for two of them, or for one of them, if intended for fish
<pb n="49" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=55"/> or cutlets. Have the 
<ingredient>eggs</ingredient> in one plate, and the 
<ingredient>bread-crumbs</ingredient> in another; roll the article first in the
crumbs, then in the <ingredient>eggs,</ingredient> then in the crumbs again. In
the case of articles very soft, like croquettes, it will be more convenient for
one person to shape and roll them in the <ingredient>eggs,</ingredient> and
another, with dry hands, to roll them in the 
<ingredient>bread-crumbs.</ingredient></p>
</recipe>
<p>Pounded and sifted cracker-crumbs can be purchased by the pound, at bakeries
and large groceries, for the same price as whole crackers. However, it will
never be necessary to purchase cracker-crumbs, if all scraps of bread are saved
and dried. It is deplorable for a cook to throw them away. It shows that she is
either too indolent to ever learn to cook, or too ignorant of the uses of
scraps of bread to be tolerated. If she saves them for purposes of charity, let
her give fresh bread, which will be more acceptable, and save the scraps, which
are equally useful to her. Yet if the bread-crumbs when pounded and sifted are
not very fine, they are not as good as the cracker-dust.</p></section><section
class1="eggscheesedairy"><hd align="center">TO COOK PUDDING IN BOILING
WATER.</hd>
<recipe class1="eggscheesedairy">
<p>Wet and <ingredient>flour</ingredient> the cloth before adding the 
<purpose><alt
synonym1="to cook pudding in boiling water">pudding.</alt></purpose> In tying
in the <ingredient>pudding,</ingredient> leave room enough for it to swell. If
cooked in a mold, do not fill the mold quite full. Never let the 
<ingredient>water</ingredient> stop boiling. As it wastes away in boiling,
replenish the kettle from another containing <ingredient>boiling
water.</ingredient></p>
</recipe>
<p>It is better to cook these puddings (
<ingredient>plum-puddings</ingredient>as well) in a 
<implement>steamer</implement> than in <ingredient>boiling water.</ingredient>
The principle is really the same, and there is no 
<ingredient>water</ingredient> soaked.</p></section><section
class1="accompaniments"><hd align="center">DRIED CELERY, PARSLEY, ETC., FOR
WINTER USE.</hd>
<p>Celery, parsley, thyme, summer savory, sage, etc., should all be prepared
for winter use. After drying and pulverizing, put them in tin cans or glass
jars. Celery and parsley are especially valuable for soups and
gravies.</p></section><section class1="soups"><hd align="center">SEEDS FOR
SOUPS.</hd>
<p>If the fresh or dried vegetables are not at hand, seeds, such as celery,
carrot-seed, etc., can be substituted for a flavoring.</p></section>
<pb n="50" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=56"/>
<recipe class1="accompaniments">
<p><purpose align="center" placement="heading">TO FLAVOR WITH LEMON
ZEST.</purpose>Never use the white part of the <ingredient>peel of a
lemon</ingredient> for flavoring. It is bitter. The little globules of oil in
the surface of the <ingredient>rind</ingredient> contain all the pleasant
flavor of the peel. It may be thinly pared off, avoiding the white pulp.
Professional cooks, however, rub <ingredient>loaf-sugar</ingredient> over the
surface. The friction breaks the oil-ducts, and the 
<ingredient>sugar</ingredient> absorbs the oil. It is called zest. The 
<ingredient>sugar</ingredient> is afterward pounded fine for certain dishes,
such as creams, 
<emph rend="italic">meringues,</emph> etc.; or it can be simply melted in
custards and beverages.</p>
</recipe><section class1="generalnonfood"><hd align="center">THE COOK'S TABLE
OF WEIGHTS AND MEASURES.</hd><list><item>1 quart of sifted flour = 1
pound.</item><item>1 quart of powdered sugar = 1 pound and 7
ounces.</item><item>1 quart of granulated sugar = 1 pound and 9
ounces.</item><item>1 pint of closely packed butter = 1
pound.</item><item>Butter, size of egg = about 2 ounces.</item><item>10 eggs =
1 pound.</item><item>3 cupfuls of sugar = 1 pound.</item><item>5 cupfuls of
sifted flour = 1/6th of a gill.</item><item>1 heaping table-spoonfuls = 1
quart; 4 quarts = 1 gallon.</item></list>
<p>In my receipts, I prefer, generally, the use of terms of measure to those of
weight, because the former are more convenient for the majority of
housekeepers.</p></section>
<recipe class1="accompaniments">
<p><purpose align="center" placement="heading">TO CHOP SUET.</purpose>Sprinkle 
<ingredient>flour</ingredient> over it while chopping, whch will prevent the
pieces from adhering.</p>
</recipe><section class1="breadsweets"><hd align="center">RISING POWDER
PROPORTIONS.</hd>
<p>To 1 quart of flour, use 2 and 1/2 tea-spoonfuls of baking-powder; or,</p>
<p>To 1 quart of flour, use 1 tea-spoonful of soda, and 2 tea-spoonfuls of
cream of tartar; or,</p>
<p>To 1 quart of flour, use 1 cupful of sour milk, and 1 tea-spoonful of
soda.</p></section><pb n="51" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=57"/>
<recipe class1="accompaniments">
<p><purpose align="center" placement="heading">TO MAKE ROUX.</purpose>A 
<emph rend="italic">roux</emph> is a mixture of 
<ingredient>butter</ingredient>and <ingredient>flour</ingredient> 
<emph rend="italic">cooked.</emph> It is generally added, uncooked, to thicken
a sauce or a soup; but the flavor is much better if it is first cooked, and the
sauce or soup is added to 
<emph rend="italic">it.</emph> Professional French cooks always mange it in
this way. When the <ingredient>butter</ingredient> is first brought to the
boiling-point, in a small <implement>stew-pan</implement> or cup, the sifted 
<ingredient>flour</ingredient> is sprinkled in, and both are mixed well
together over the fire with an <implement>egg-whisk,</implement> until the 
<ingredient>flour</ingredient> is well cooked; a part of the sauce or soup is
then stirred in until it becomes smooth and thin enough to add to the main
sauce or soup. If the 
<emph rend="italic">roux</emph> is intended for a white sauce, it is not
allowed to color; if for a brown sauce, it may color a little, or 
<ingredient>browned flour</ingredient> may be used.</p>
</recipe></chapter><chapter class1="household"><hd align="center">COOKING
UTENSILS.</hd>
<p><emph rend="italic">The</emph> <implement rend="italic">Bain
Marie.</implement>--This is an open vessel, to be kept at the back of the range
or in some warm place, to be filled with hot (not boiling) water. Several
stew-<illustration><description>A bain marie containing five smaller
pots.</description></illustration> pans, or large tin cups with covers and
handles, are fitted in, which are intended to hold all these cooked dishes
desired to be kept hot. If there are delays in serving the dinner, there is no
better means of preserving the flavor of dishes. The <implement
rend="italic">bain marie</implement> is especially convenient at any time for
keeping sauces, or vegetables for garnish, which can not always be prepared at
the last minute.</p><illustration><description>An illustration of a
braising-pan.</description></illustration>
<p><emph rend="italic">The</emph> <implement
rend="italic">Braising-pan.</implement>--The use of this pan will be found by
referring to the article on "braising."</p>
<p><emph rend="italic">The</emph> <implement
rend="italic">Fish-kettle.</implement>--The fish is placed on the perforated
tin sheet, which is then put into the<pb n="52"
id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=58"/><illustration><description>An illustration of a fish-kettle,
with the perforated tin sheet lying next to the main
pan.</description></illustration> kettle of water. The fish is thus taken out
of the water at will, without breaking. When done, it is placed for a minute
over an empty iron kettle on the fire, to drain well and steam. It is then
carefully slipped on a napkin in the hot platter in which it is to be
served.</p>
<p><emph rend="italic">The</emph> <implement
rend="italic">Custard-kettle.</implement>--This is an iron utensil, the inside
kettle being lined with block-tin. Although<illustration><description>An
illustration of a custard-kettle.</description></illustration> there are
cheaper <implement>custard-kettles</implement> made of tin, it is better
economy to purchase those of iron, which are more durable. The inside kettle
containing the custard is placed in the larger one, which is partly filled with
boiling water.</p><illustration><description>An illustration of a
saut&#233;-pan.</description></illustration>
<p><emph rend="italic">The</emph> <implement
rend="italic">Saut&#233;-pan.</implement>--This pan may either be used for
saut&#233;ing, or for an <implement>omelet pan.</implement></p>
<p><emph rend="italic">Sieve for Pur&#233;es.</emph>--This is a substantial
arrangement, the sides being made of tin. It is<illustration><description>An
illustration of a pur&#233;e sieve.</description></illustration> invaluable
for bean, pea, or any of the Pur&#233;e soups, which should be forced through
the sieve. It is also used for bread or cracker crumbs--in fact, for any thing
which requires sifting.</p><illustration><description>An illustration of the
lid, perforated basket, and large main pot of the steaming-kettle, arranged
vertically in the order in which they would be
stacked.</description></illustration>
<p><emph rend="italic">The Steaming-kettle.</emph>--The article to be cooked is
placed in the pan perforated with holes. It is put in the long kettle, which is
partly filled with boiling water, then covered with the close-fitting cover.
This is an invaluable kettle for cooking vegetables,
<pb n="53" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=59"/> puddings, and, in fact, almost any thing that is
usually immersed in boiling water. A cabbage, with salt sprinkled among the
leaves, is cooked much quicker in this way than when immersed, and is much more
delicate. It is especially nice for plum-puddings, which then can not become
water-soaked. Cooks generally manage to let the water stop boiling for some
minutes when boiling puddings, which is just long enough to ruin them. This
kettle is no less valuable for cooking chickens or rice.</p>
<p><emph rend="italic">The</emph> <implement rend="italic">Saratoga
Potato-cutter.</implement>--The screws at the sides adjust a sharp knife, so
that, by rubbing the<illustration><description>Two illustrations of the
Saratoga potato-cutter, one showing the cutter from the back and the other from
the front.</description></illustration> potato over the plane, it may be cut as
fine or as coarse as may be desired. The plane is also used for cutting
cabbage, or for onions to serve with cucumbers. Cabbage, however, should not be
cut too thin, as it is thereby less crisp. Cost, 50 cents.</p>
<p><emph rend="italic">The</emph> <implement
rend="italic">can-opener.</implement>--This is the best and cheapest
pattern.<illustration><description>An illustration of a can
opener.</description></illustration> The handle, knife, and square piece are
all made together of pressed iron. Cost, 25 cents.</p>
<p><emph rend="italic">The</emph> <implement
rend="italic">Cream-whipper.</implement>--The handle 
<emph rend="italic">A</emph> is placed inside the tube 
<emph rend="italic">B.</emph> The tube is dipped into a bowl
of<illustration><description>An illustration of the two parts of the
cream-whipper, labeled A and B.</description></illustration> sweetened and
flavored cream. By churning and pressing it through the perforated holes, the
cream becomes a light froth, which is skimmed off the top, and put on a sieve,
as soon as a few table-spoonfuls of it are formed. Cost, 25 cents.</p>
<p><emph rend="italic">The Wire-basket, for Frying.</emph>--Articles to
be<illustration><description>An illustration of a wire frying
basket.</description></illustration> fried are placed in the basket, which is
immersed in boiling fat. It facilitates frying, as the articles are all cooked,
lifted out, and well drained at the same time. It is especially nice for frying
smelts or for boiling eggs.</p>
<p><emph rend="italic">The</emph> <implement
rend="italic">Egg-poacher.</implement>--The eggs are carefully broken into the
little cups, and placed in the stand. The<pb n="54" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=60"/> stand is
then dipped into well-salted<illustration><description>An illustration of an
egg-poacher.</description></illustration> water, which is merely simmering.
When done, each cup (formed like a shell) is taken out from the stand, and
carefully tipped over a piece of buttered toast, leaving the egg with the
pretty form of the cup on top.</p><illustration><description>An illustration of
a fish-stand.</description></illustration>
<p><emph rend="italic">The</emph> <implement
rend="italic">Fish-stand.</implement>--Fried smelts are hung by catching them
to the sharp points of the stand. The intervening places are filled with
parsley or leaves, and the whole served in form of a pyramid.</p>
<p><emph rend="italic">The</emph> <implement
rend="italic">Butter-roller.</implement><illustration><description>An
illustration of two wooden paddles, a ball of butter, and a stack of butter
balls in a round dish with three legs.</description></illustration> --The
wooden squares are dipped into cold water. A small piece of butter (enough for
one person at table) is placed on one square, then rolled around with the other
one held in the other land. A little ball is formed with a net-work surface. A
number of balls are thus formed of the same size, and piled on the butter-dish,
as is cut.</p>
<p><implement rend="italic">Butter or Mashed-potato Syringe.</implement>--The
butter is placed in the tube, and pressed through the round holes in the end on
to the butter-dishes. It forms a pretty effect of fillets of butter, resembling
vermicelli. Potatoes boiled, seasoned,<illustration><description>An
illustration of the butter or mashed-potato syringe, separated into two
parts.</description></illustration> and mashed may also be pressed through the
tube around the beef, venison, or almost any meat or fish dish, making a pretty
decoration.</p>
<p><implement rend="italic">French Vegetable-cutters.</implement>--The little
cups of figures 
<emph rend="italic">A </emph>and 
<emph rend="italic">B</emph> are pressed into potatoes, or any bulbous
vegetable, then turned around. The cutter 
<emph rend="italic">A</emph> will make little potato-balls, say
<pb n="55" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=61"/> an inch in diameter, which are fried, and called
"potatoes &#224; la Parisienne." The figure 
<emph rend="italic">B</emph> will cut oblong forms.
Smaller-<illustration><description>An illustration of two vegetable cutters,
labeled A and B, accompanied by the shapes that they cut from the
vegetable.</description></illustration> sized cutters are preferable for
cutting potatoes, carrots, turnips, etc., for garnishing 
<emph rend="italic">&#224; la
jardini&#232;re.</emph></p><illustration><description>An illustration of
three tin cutters in the shape of a heart, club, and flower. Each cutter is
accompanied by an example of the shape that it will
cut.</description></illustration>
<p><implement rend="italic">Tin Cutters,</implement> 
<emph rend="italic">for cutting Slices of Bread to fry for decorating
Dishes(cro&#251;tons), or to serve in Soups.</emph>--They may also be used for
cutting slices of vegetables for decorations or for soups.</p>
<p><implement rend="italic">Potato, Carrot, or Turnip Cutter.</implement>--This
simple little instrument cuts the vegetables mentioned into curls. When the
curl is cut, the vegetable is afterward cut from the outside to meet it, when
it easily slips out. The handle is separate from the iron wire, and has to be
taken off in order to remove the curl.<illustration><description>An
illustration of a potato/carrot/turnip cutter, accompanied by a spiral
representing the shape that it cuts from the
vegetables.</description></illustration> The curls can be boiled in salted
water, if of carrots; if of turnips, they are better cooked after the French
receipt given; if of potatoes, they are generally fried in boiling lard, and
sprinkled with a little salt as soon as done. They make a pretty garnish, or
may be served alone.</p>
<p><implement rend="italic">Fluted Knife,</implement> 
<emph rend="italic">for cutting Vegetables into various fancy Forms for
Decorations, or for Salads.</emph>--Some cut mushrooms with this knife, to give
them a scolloped surface.</p><illustration><description>An illustration of a
fluted knife accompanied by three shapes (a cone, a sphere, and a cube) with
grooved surfaces.</description></illustration><pb n="56" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=62"/>
<p><implement rend="italic">French Cook's Knife.</implement>--Made of best
steel. It can easily be kept very sharp, and made of almost constant use in
preparing<illustration><description>An illustration of a French Cook's
Knife.</description></illustration> dishes. It is especially useful for boning.
It costs seventy-five cents, yet, with proper care, should last a life-time.
These knives are so light, sharp, and easily handled, that, when once used, a
person would consider it very awkward to cook without once.</p>
<p><emph rend="italic">A Knife for Peeling.</emph>--The wire prevents the
cutting of more than the skins of fruits or vegetables. The wire may be
attached or detached at will, for cleaning it.</p><illustration><description>An
illlustration of the paring knife described in the previous
paragraph.</description></illustration>
<p><implement rend="italic">Wire Skewers</implement> (Fig. A).--They are about
three inches long, and may be of silver or plain wire. Fig. B is a 
<implement>skewer</implement> run<illustration><description>An illustration of
two plain skewers, labeled A; a skewer run through three fish and two other
pieces of food between them, labeled B; and a skewer run through two large and
two small pieces of food.</description></illustration> through three smelts,
with thin slices of bacon between. They are fried in boiling lard, and one
skewerful is served to each person at table. The <implement>fish
dish</implement> is garnished with lemon slices, one of which is placed on the
top of each skewerful of fish when on the plate (see page 112). Fig. C, a 
<implement>skewer</implement> of alternate slices of egged and bread-crumbed
sweet-breads and bacon, managed in the same manner as the smelts (see page
155).</p>
<p><emph rend="italic">Knife for carving Poultry and Game.</emph>--Besides
cutting the flesh, this knife disjoints or cuts
the<illustration><description>An illustration of the knife for carving poultry
and game.</description></illustration> bones, which are often embarrassing,
especially in ducks and geese.</p><illustration><description>An illustration of
a meat-squeezer.</description></illustration>
<p><implement rend="italic">Meat-squeezer,</implement> 
<emph rend="italic">for pressing out the Juice of Beef for Invalids.</emph>--A
piece of round-steak (which yields more juice than other cuts) is barely heated
through, when it is cut, and the juice pressed out at the angle 
<emph rend="italic">A </emph>into a warm cup,<pb n="57"
id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=63"/>placed in a basin of hot water. The juice should be served
immediately, and taken while still warm.</p>
<p><implement rend="italic">Pancake-lifter.</implement>--This form, having more
breadth than the ordinary square lifter, has the<illustration><description>An
illustration of a pancake-lifter.</description></illustration> advantage of
turning the pancakes with greater facility.</p>
<p><emph rend="italic">Brush,</emph> for rubbing
whites<illustration><description>A small brush, with its bristles tied onto its
handle in the manner of a broom.</description></illustration> of eggs over
rusks, crullers, etc., or for glazing meats with clear stock, reduced by
boiling to a stiff jelly.</p>
<p><implement rend="italic">Larding-needles,</implement> 
<emph rend="italic">Lardoons, and Manner of Larding.</emph>--See article on 
<emph rend="italic">Larding,</emph> page 48.</p><illustration><description>A
larding needle, a larding needle fitted with a lardoon, two plain lardoons, and
a larger illustration showing lardoons that have already been larded into a
piece of meat as well as a larding needle being pushed through the meat to
insert another lardoon. The lardoons in the latter illustration have been
labeled with the numbers 1-10.</description></illustration>
<p><implement rend="italic">Apple-corer.</implement>--The larger tube is for
coring<illustration><description>An illustration of two apple corers, one large
and one small.</description></illustration> apples; the smaller one for coring
Siberian crab-apples, for preserving.</p>
<p><implement rend="italic">Jelly-stand.</implement>--This is simply and
cheaply<illustration><description>An illustration of a
jelly-stand.</description></illustration> made. Rings can be fastened to the
ends of the cords, and slipped over the four top rounds, to hold the 
<implement>jelly-bag</implement> on the stand; or it may be tied. The 
<implement>jelly-bag</implement> should be made of flannel, or of Canton
flannel. This arrangement is not only convenient for jellies, but for clear
soups as well.</p><pb n="58" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=64"/>
<p><implement rend="italic">Meat-pie Mold.</implement>--Fig. A represents the
mold closed, the wires at each end fastening the two sides together. It is here
ready to be buttered, the crust to be laid in, and pressed into the decorations
at the sides, filled, the top crust to be fitted over, and baked. Fig. B, the
wire is drawn out one side, the mold opened, and removed from the pie. Fig. C,
the pie ready to be served at table.</p><illustration><description>Three
illustrations labeled A, B, and C. Illustration A depicts a round mold with
decorated sides; illustration B depicts the same mold, swung open into two
semi-circles on its hinge; and illustration C is a fancy dish that has been
shaped with the mold depicted in A and B, served on a round
platter.</description></illustration>
<p><implement rend="italic">Paste-jagger.</implement>--Fig. A represents a 
<implement>paste-jagger,</implement> for cutting and ornamenting the edges of
pie-crust. Fig. B is a plain circle of pie-curst cut with the jagger, to fit
the <implement>pie-dish.</implement> Fig. C is part of a strip of pie-paste,
which is cut with the jagger to lay around the edge of the pie. Fig. D, the
strip<illustration><description>Five illustrations labeled A, B, C, D, and E.
Illustration A depicts a paste-jagger; B is a circle of paste with jagged
edges; C is a thin strip of pastry with jagged edges; D is a pie crust with
jagged edges in a pie plate; and E is a finished pie with strips of crust laid
in a diagonal pattern across the top served on a round
platter.</description></illustration> laid around the edge. Fig. E, the pie
placed upon a plate, ready to serve at table.</p>
<p><implement rend="italic">Glass or Tin Flower Forms.</implement>--These are
flat forms for decorating<illustration><description>An illustration of three
flower forms; one is U-shaped, another is L-shaped, and the third is shaped
like a cross.</description></illustration><pb n="59" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=65"/> the
table with flowers. They are filled with water or wet sand. The flowers are
placed in, and may, or may not, conceal the tin form.</p>
<p><emph rend="italic">Molds.</emph>--Fig. A, a circular tin mold for 
<emph rend="italic">blanc-manges,</emph> jellies, etc. Fig. B, supposed to be
a<emph rend="italic">blanc-mange</emph> filled with
strawberries.<illustration><description>Two illustrations, labeled A and B,
depicting a ring-shaped mold and a fancy dessert shaped with the mold,
respectively.</description></illustration> These centres may be filled with any
kind of berries, 
<emph rend="italic">compotes,</emph> fresh fruits, creams, etc., and make
exceedingly pretty dishes. With a small mold of
this<illustration><description>An illustration, labeled C, of a circular mold
with patterned edges.</description></illustration> kind one can prepare a very
dainty-looking dish for an invalid. It may be filled with 
<emph rend="italic">blanc-mange,</emph> tapioca
jelly,<illustration><description>An illustration of a fancy dessert, labeled D,
formed in the mold depicted in illustration
C.</description></illustration>Irish moss, wine, or chicken jellies, etc., and
filled with a 
<emph rend="italic">compote,</emph> a whipped cream, beaten eggs, or any
allowable relish. Fig. C, a circular mold, of more elaborate pattern, yet quite
as easy to manage as the simple one. Fig. D, wine jelly, filled with whipped
cream. Fig. E, a <implement>casserole mold.</implement> Fig. F, a casserole of
rice or mashed potatoes,<illustration><description>Two illustrations labeled E
and F. Illustration E depicts a casserole mold; illustration F is a casserole
served in the casserole mold, which is standing on a round platter and
surrounded by leafy garnishes.</description></illustration>
<pb n="60" id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=66"/> filled with fried (<emph
rend="italic">saut&#233;d</emph>) spring chickens, with cream sauce, and
surrounded with cauliflower blossoms. A pretty course for dinner, tea, or
supper.</p>
<p><emph rend="italic">Little Silver-plated</emph> <implement
rend="italic">Chafing-dish.</implement>--It is about four and a half inches
square, for serving Welsh rare-bits, or for small<illustration><description>An
illustration of a chafing-dish on a round
plate.</description></illustration>pieces of venison-steak, with currant jelly.
One is served to each person at table. The lower part is a reservoir for
boiling-hot water. I have seen them also made with little alcohol-lamps
underneath, when the thin slices of venison-steak can be partly or entirely
cooked at table, in the currant jelly. At least, the preparation served is kept
nicely hot.</p>
<p><emph rend="italic">An Instrument for drawing Champagne, Soda, and other
Effervescing Liquids at pleasure, leaving the last Glass as sparkling as the
first.</emph>--The instrument D is driven through the
cork<illustration><description>An illustration of the instrument described in
the previous paragraph. The illustration is in three parts: the illustrations
labeled A and B are the two parts of the instrument, which are fitted together
in the uppermost illustration, which is labeled with a C (indicating a button
on the bottom of the instrument) and D (indicating the entire
instrument).</description></illustration> in the bottle, the wire A is
withdrawn, the button C turned; when the Champagne is drawn through the tube B.
When enough is drawn, the button is again turned, and the wire replaced before
the bottle is raised. The bottle should then be kept bottom side up. The
instrument is a perfect success, and can be obtained of H. B. Platt &#38; Co.,
1211 Broadway, New York. It costs $1.85.</p><illustration><description>A
rectangular piece of paper, labeled A, with dotted lines indicating
folds.</description></illustration>
<p><implement rend="italic">Paper Cases</implement> 
<emph rend="italic">for Souffl&#233;s, Chickens &#224; la Bechamel, or for
anything that can be served scolloped, or en coquille.</emph>--These cases are
easily and quickly made. They furnish a pretty variety at table, filled with
any of the materials described among the receipts for articles to be served in 
<implement>paper cases</implement> or in shells. To<pb n="61"
id="/projects/cookbooks/coldfusion/display.cfm?ID=pcdg&#38;PageNum=67"/> make the <implement>paper cases,</implement> choose
writing-paper: fold and crease it at the dotted lines in Fig.
A,<illustration><description>A rectangular piece of paper, labeled B, with
dotted lines indicating folds, solid lines indicating cuts, and a triangular
notch in the center of each side.</description></illustration> then cut the
paper at the dark lines in Fig. B. By turning the corner squares, so that they
may lap over the sides, the box is formed. Sew the sides together, all around
the box, hiding the stitches under the small piece of paper at the top, lapped
over the outside. They should<illustration><description>An illustration of a
box, labeled C, which was folded from the paper depicted in the two previous
illustrations. A second illustration, labeled D, shows the same box filled with
food and s